BEFORE YOUR MEMORY FADES

BEFORE YOUR MEMORY FADES

Before your memory fades … but the Italian title is The first coffee of the day… could I not read it?

Actually no, and that’s why my husband decided to give it to me.

Before your memory fades is the new book by Toshikazu Kawaguchi 川口 俊 和 published in Italy by Garzanti.

Do you know him?

I was very impressed to discover how Toshikazu Kawaguchi here in Italy has established himself thanks to the word of mouth that has been unleashed since March 2020, when his book Before the Coffee Gets Cold debuted and finished in the bestseller list within a week.

In fact, going backwards, about Toshikazu Kawaguchi

March 2012: the Grand Prize of the Suginami Theater Festival for the stage “Before the Coffee Gets Cold”

December 2015: the novel “Before the Coffee Gets Cold” published

April 2017: the Grand Prize Bookshop nomination

September 2018: cinema adaptation of “Before the Coffee Gets Cold” with Kasumi Arimura

February 2019: 100,000 copies of “In front of cold weather” exceeded in Taiwan

February 2020: the UK version of “Before the coffee gets cold” is 10th in the Bookseller ranking

March 2020: the British version wins the first place in the best-selling literary books in Singapore

until May 2020: his biography mentions a 3rd place as a novel translated in Italy in the ranking of the Corriere della Sera that I have not been able to recover

January 2021: Tales from the Cafe.

Autumn 2021: the project for a TV series  produced by SK Global and developed by The Jackal Group

And January 2022: Before your memory fades.

I don’t want to anticipate the focal point of these coffees nor what happens while the coffee is hot, in case you don’t know the story yet, but surely the idea of these special encounters over a cup of coffee is the key concept here on the blog too.

Unfortunately, without the magic and the Japanese delicacy, and with very different cooling times, but with the same intent to try, very modestly, to give small trips.

And about the first coffee of the day would you like to tell yours?

BEWITCHED?

BEWITCHED?

1947: a meaningful year for me, my mother’s birth year. She, who was used to buy 10 lire of old newspapers just to have something to read. She, who made me grow up in a house with a large library full of books of all kinds.

She, who simply loved to read.

Never any imposition, never any particular advice. It was all natural, I still remember the titles that struck me most as a child, then I still could not know the story, yet they were already in my mind, ready to be rediscovered at the right time.

And one day, just like her, I simply started reading too.

1947 is also the year of the first literary prize Strega which took its name from the liqueur produced in the Guido Alberti family company who was a patron of it and who subsequently, after his marriage to the astrologer Lucia Alberti, began his acting career and was directed by directors such as Federico Fellini Francesco Rosi, Pier Paolo Pasolini, Eduardo De Filippo and Roman Polanski. A biography that in itself would seem like a novel.

In the long list of winners of the editions that have followed each other from year to year, respectable names appear and a few days ago I read a statistic published by Gabriella which showed an overwhelming male majority .

I sincerely have to recover several things from the past, but Monica opened a window on the present, also giving me a key to the book that won the 2020 edition: The hummingbird by Sandro veronesi published by La nave di Teseo.

I gladly approached it, without knowing the author, without knowing the previous success Chaos Calmo and without knowing the various dynamics that led to this second victory.

“You are a hummingbird because like the hummingbird you put all your energy into staying still.”

The quote on the back cover immediately offers the first food for thought: suddenly static is considered as an effort, and not as the absence of movement.

The movement of the book is constituted by the temporal jumps with which the author leads the narration according to a very symbolic thread, alternating exchanges of letters and digressions with stories of daily life poised between the apparent normality and a crescendo of paradoxical situations.

I found particularly curious how the rather unlikely events of the main character made me think of Forrest Gump, a sort of coincidence, since I had just written a post about it.

But following the idea of the hummingbird, and trying to fly backwards to review everything from a different perspective, I developed the idea of metaphors to reconfirm the only true certainty we have: life has surprises in store and often revolutionizes plans and certainties.

But for the truth we are not still, we resist, something very different.

I think I’m not the only one to have found a sort of cross with painful personal experiences, of course then everyone continues on their tracks, but the scars remain in common.

This book also gave me a reference to childhood in reading the descriptions of summer places: Toscana’s sea near Bolgheri, Marina di Bibbona, Punta Ala, having also spent my holidays exactly on that same coast, and I found myself facing the thought of how we used to take things for granted until this particular summer, and how we never thought they could vanish.

So “bewitched”? Strega means witch laughing

No, but happy as every time a reading inspires reflections.

WAKE UP AND SMELL THE COFFEE

WAKE UP AND SMELL THE COFFEE

No need to argue: everyone knows ZOMBIE of The Cranberries.

I can’t simply call it a song, to me it’s history.
It has recently exceeded one billion views on YouTube and I admit that some are mine.
A deserved success, which closes the circle of the previous song of the year proclamation at the 1995 MTV Awards.
Zombie was shot by Samuel Bayer, who also made the video of “Smells like teen Spirit” to be clear, but more than the undoubted quality, I would linger on the message and on the voice of Dolores O’Riordan.
Unfortunately now the first thing that is mentioned everywhere about her is the circumstance of death, but I would like to talk about life.
Not of her biography in detail, but I would particularly underline how she wrote this piece in a flash, after learning of the tragic death of two kids from a bomb.
Although the episode took place in Ireland in 1993, a specific sadly known context, Dolores has always avoided politicizing.
“In your head, in your head” Dolores repeats it, she invokes, she invites to think, it would seem banal and yet too often it is not.
Hers is a cry to unite, to awaken.
“Violence causes silence.”
I find that Dolores knows how to make this silence speak, she knows how to give voice to pain, she knows how to shout not anger, but the strength to say enough.
Zombie is against violence, against the inability to stop violence.
This song’s our cry against man’s inhumanity to man; and man’s inhumanity to child.”
Dolores O’Riordan

I don’t know about you but as far as I’m concerned, the thought comes loud and clear and settles viscerally.
Her “another mother’s breaking heart” becomes mine.
Her voice, her unique way of singing, constitute the focal point: a catalyst, which allows the message to communicate all its disruptive despair.
Zombie was inspired by a child’s death. His life was taken in the arm’s of his mother. She was shopping in London last year, and there was a bomb planted in a rubbish bin in London and he happened to be at the wrong place at the wrong time and he died. The reason the bomb was planted was because of a political territorial kind of thing that goes on in the North of Ireland and the UK. So the references to 1916 was when a contract was signed, which signed away the 6 counties to England. And it still goes on today: the war, the deaths, and the injustice.”
Dolores O’Riodan

Zombies who see and feel pain, yet do nothing.
Zombies not from horror movies and yet terribly scarier: us.

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