TWELVE NOTES

TWELVE NOTES

He says it is basically twelve notes: twelve notes that encapsulate everything.

That may be true, but without detracting from the music, it is the words that make the real difference.

So many words, a lifetime long.

Words that tell stories, words that describe emotions, words that stop moments, his, mine, ours.

Who doesn’t know the famous “outdoor café tables”!

Not to mention the guy who “carefully reads the instructions on the coffee machine” …

And again:

A hair-raising coffee
a packet of smoke
and the wind re-reading my paper
and tomorrow going out again, putting on a cheerful face
for the next carnival
a razor-cold pain
for another day that dawns
I die

Really coffee can make your hair stand on end.

A phosphorescent madonnina
and fake flowers above the dresser
looking for pantyhose distracted and indolent
and one more day in the mirror
the refrigerator snored from the kitchen
and you hummed making coffee
the long sadness of the morning

Do you hum when you make coffee?

A bustle of voices and faces the color of the streets outside
that loses some haste among the coffees and liquors
if your heart had windows I could jump in them
and have you find it all in pieces when you returned

I absolutely love the concept of “losing haste” with coffee!

And never again the chimneys
the sirens the city
the wet gates and warehouses
of mist and humidity …
and never again sit in the cafeteria
among melancholy and mashed potato
the chain the tape the days that go away
with the coffee cart ...

I could almost say it’s the Lomellina

Nights in the car talking
the low glass for smoking
nights of old songs still good to sing
nights as dark as an oven
sleepless nights before a great day
hard nights of illusions
long dark nights of coffee

Old songs still good to sing … it really is.

Songs I would say more lived than old, songs to sing together, during a concert.

Twelve notes were the birthday gift from my brother.

By a curious chance the number twelve recurs, he would surely make a pun of it.

YOU MAKE ME FEEL LIKE IT’S HALLOWEEN

YOU MAKE ME FEEL LIKE IT’S HALLOWEEN

You make me feel like it’s Halloween the first time I heard this electronic gothic track by Muse I thought it could be a compliment. Cool!

 

However, this song lyrics are about feeling trapped.

Thinking of a situation with no way out, do you find yourself imagining horror movie scenarios?

Muse certainly played with this concept.

 

 

Tribute or parody?

The video was edited by Jesse Lee Stout: Muse Creative Director for Metaform Studio, direction is by Tom Teller.

Among so many references, do you want to mention some?

There are several interpretations of You make me feel like it’s Halloween, mainly originated by the final phrase: but you are the caretaker.

In an interview Matt Bellamy jokingly stated that there were too many songs about Christmas and it was time for someone to celebrate some other holiday, like Halloween for example.

What do you think about?

Over these twenty years undoubtedly Muse with their hits accustomed us to different kind of emotions.

I have always been impressed first and foremost by the powerful charge that Matthew Bellamy & Co. manage to exude, but also by their trademark flair combined with a completely unique genre that initially made it complicated to include them into a defined musical genre.

What is your favorite among their songs?

I know, it’s not easy to choose, I can’t rank them, although I have a special connection with some in particular.

In light of this we can perhaps reconsider You make me feel like it’s Halloween more for the message than the horror quotes, would you agree?

On October 26 Muse will be at Alcatraz in Milan great way to feel in the Hallooween mood.

How about you? When do you feel like it’s Halloween?

FOUR THIRDS PI R3

FOUR THIRDS PI R3

I infinitely thank Lucia Amendola Ranesi, together with Mari’s Manual, for the opportunity to discover the book Quattro Terzi Pi Greco Erre Tre which I loved very much.

What is the volume of the sphere? Four Thirds Pi r3.

It is not the first time that I have told my interest in books on mathematics, but in this case I was immediately struck by the affinity of thought.

Starting with a formula to tell a story

Or starting from a story to tell a formula.

Actually both.

The “formula” to which one arrives, however, is not a calculation, but a journey that leads, or rather: brings back, to the origin.

I don’t like to reveal too much, because I would like you to try the same engaging reading experience that I had, and I would like you too to come to the “full circle” with all the load of emotions that accompanied me.

I considered Quattro Terzi Pi Greco Erre Tre as the equation of a world in which to enter through a wonderful exchange of letters, precisely those handwritten letters, the letters  so dear to me.

A family sphere, but also a historical sphere.

And through the life of the characters I first understood the vocation: the passion for studying and teaching, together, as in a real union that lasts for a lifetime.

But the book also teaches that fate is not always behind the things that scare us the most.

And it shows how pure and true love cannot in any way be dirtied.

I will certainly not forget a special Grandmother, whom I wish I could hug as she repeats that all soldiers are sons.

And a special woman: Maria Moreno, who I hope will be remembered for her ability to combine literary and scientific studies, delicacy and strength of mind, poetry and everyday life.

Obviously I tend to focus more on the female characters, but undoubtedly Rodolfo too, as well as two important figures who have left a mark on our history, offer very interesting reflections.

What if I told you Renato Caccioppoli? What if I told you Ettore Majorana?

In a book so close to my heart, could coffee be missing?!

Obviously not! In fact, here it is:

C’ERO ANCH’IO SU QUEL TRENO – THERE WAS ME ON THAT TRAIN TOO

C’ERO ANCH’IO SU QUEL TRENO – THERE WAS ME ON THAT TRAIN TOO

In thanking Giovanni Rinaldi once again, I am happy to tell you about his new book There was me on that train too  The true story of the children who united Italy published by Solferino.

There was me on that train too is published exactly twelve years after Happiness trains, years during which Giovanni Rinaldi never interrupted his historical research which, with his tireless human commitment, has turned into a real mission to bring together the protagonists of a chain of wonderful solidarity.

In the post-war years, thousands of children were hosted by generous families who pledged to offer them what they had been deprived of for various reasons, welcoming them and treating them as their own children.

Giovanni Rinaldi’s essay starts from the tragic consequences of a strike in San Severo in 1950 following which more than a hundred people were arrested: mothers, fathers, leaving many children in the middle of a street.

A song recorded by Giovanni begins like this

The venditré of March

Succèsse ‘na rruìna …

I know, I have already written it, but for me the dialect, as well as the oral tradition, are an absolute heritage that, if it were not for people like Giovanni, we would lose.

And instead with his persevering efforts, Giovanni continues in the collection of testimonies that extends to children forced to work in Naples, to children who survived the bombing of Cassino, and to many other cases in which conditions of extreme difficulty have made the help to parents providential, since they were unable to support them.

The organization, transfers, communications between families of origin and host families took place at the initiative of the Communist Party but in particular by the UDI: Unione Donne Italiane.

In this regard, with my love for Christmas, I read with particular emotion the part in which Ida tells of her commitment to collect from various shopkeepers, the necessary to make a Tree set up with candies, biscuits and gifts.

The magic, however, breaks to the point where Ida remembers how the secretary, annoyed at this initiative of hers, even scolded her with a slap …

Women.

Women and Mothers who weave their lives in function of the good for the children, managing to put themselves in each other’s shoes, understanding, working, sacrificing.

I particularly want to remember with affection Americo to which I am grateful for the great teaching on maternal love that he has given me.

The letter from Umberto’s mother is also enchanting:

The hearts of us mothers of the tormented Frosinone greet all of you who come to meet us, and we greet this beautiful work organized by our Communist Party.

I hope to receive more news, and if the Lord will provide me before Umberto returns I will come to see you.

Not that words to thank her for what you are doing for my son, but may the Lord give you back all the good you deserve …

She thanks the party and hopes in the Lord and yet I find no contradiction, on the contrary I admire the wonderful coexistence of thoughts that have the heart as a common denominator.

Heart that I found on every page.

Among the chapters of There was me on that train too, dedicated to each of the children he managed to track down, Giovanni Rinaldi tells us how he managed to trace the families who offered generous hospitality, starting from fragments of memories, names often lacking of references, photographs of a very distant time.

A meticulous work but above all a strong sensitivity combined with the noble intent to realize the desire for reunification of these people who life has inevitably led to distance themselves.

I don’t know if you were able to follow the interview on Rai Uno, otherwise you can retrieve it here at approximately 1 hour and 1 minute.

I advise you to see him to realize how Giovanni’s attitude towards the people he met is: while Severino and Diego tell their experience, he observes them with a smile that says more than any word.

And this is the feeling of extreme respect that runs throughout the book. Giovanni himself tells us that “these elderly gentlemen, when they speak, are the children of the time who tell … and it is also a therapy: going back to those moments means bringing out both the traumas and the joys.”

On tiptoe listening first.

And as much as Giovanni acts as a channel that allows memories and stories to flow that are faithfully reported, he also gives us descriptions of the context so precise as to make us feel transported to the same place, enveloped by the suggestion that the scope of enormous loads of emotions encloses.

I conclude by leaving you this beautiful metaphor about Benedict:

opens the door: a beam of light illuminates the darkness. Outside and inside, as on a border, they all remain still, suspended ...

SAMANTHA BONANNO PAPER ART

SAMANTHA BONANNO PAPER ART

I have already written how enchanting I find the creations of Samantha Bonanno, but now that we met and that she explained her world a little I must absolutely reiterate: do not miss them!

The books, the paper, the words, take shape and magically transmit emotions in a new dimension, absolutely coherent but at a sensorially three-dimensional level that tangibly reveals the soul enclosed in meanings so far only thought and imagined.

Metaphors, impressions, sensations and feelings expressed in a visual, evocative, and at the same time real and engaging sense.

In particular, the Art exhibited at the Scuderia of Castello Visconteo Sforzesco in Vigevano on the occasion of the exhibition Con la natura e con le mani represent the myth of Persephone in sequence.

GeodeA stone, but also Earth from the root of the name: Geo.
A return to the origin to understand where we started and what we can discover in depth. Waves of matter as a flow of time.

Kore. Childhood, youth. The spring that Persephone herself brings to earth in this existence of hers divided halfway between her mother Demeter who opposes the abduction carried out by Hades, and the role of queen of the underworld.
Κόρη, literally: the daughter; another name, of which numerous variants are known, first of all, Persephone [Περσεϕόνη];
In the double life of Kore the very reality of nature is foreshadowed by which everything that has life is born from the bowels of the earth and – after having completed a certain cycle – returns to the earth.
CORE: In common parlance, by core we mean the “core of the body”.

HekateSisterhood, transformation, dreams and magic. The cycle of life but also the center.
In ancient Greek: Ἑκάτη, Hekátē: she was the goddess of magic and crossroads and was the powerful mistress of darkness, she ruled over the demons, over the night, the moon.
She possessed in herself both the principles of generation, the masculine and the feminine. For this reason it is defined as the source of life and is attributed the vital power over all elements.
This work was made with pages of books in all languages.

And finally Ade. Created with a book not so good, but also in this case a balance: between good and evil.
Basically Persephone does not hate him, not everything is negative, just as from a less pleasant book Art can be born in such a sublime way.

Then maybe Samantha will correct me if I am wrong or leave something out, but in the meantime I advise you to deepen her works because even the sculptures are an unmissable experience for me: from falling in love.

And I would say that Samantha Bonanno in her works contains the essence of …
“To give human life a lofty and enchanting meaning.”
Hermann Hesse.

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