THE WITCHES SEED

THE WITCHES SEED

The witches seed is a title catching me immediately.

I was struck, as I often am, by the word witches, before I even found out that The witches seed is a rock opera inspired by a true story.

I was struck, as always, by the word rock, before I even found out that the music is by Stewart Copeland.

No need to specify who Stewart Copeland is  right?

After all, there are not very many legendary drummers.

And don’t miss this his I need coffee … Bali coffee rocks

 

sugar aside, I’m happy!!!

The witches seed where could it be represented if not in nature?

Tones theater Nature is great project of Tones on the Stones, which through a path of environmental redevelopment has begun to transform the former industrial site of Cava Roncino into a permanent Theater immersed in nature.

Magical isn’t it?

Yet that’s not all: some of the songs were written by Chrissie Hynde, another name that certainly needs no introduction, yet we can call Chrissie one of us about coffee.

Indeed, in this tweet she writes: as if I realized that over the years I would become a bit of a coffee snob. Easy to do with this new coffee culture we have embraced. But when I read Patti Smith’s tribute to Sam Shepherd, I noticed that she was referring to a cup of Nescafé when Sam called in the middle of the night.It was on my mind for a few months and I realized I was going to be a coffee snob. Surely if it’s good enough for Patti Smith, it’s good enough for me.
Now I make myself a cup of powdered coffee and get on with my day.

What to say?

If instant coffee is good enough for the great …

Speaking of great, the main performer of The witches seed will be Irene Grandi.

Besides year and month of birth, we share
Before to disagree
Try listening a little more ...

Unheard certainly have been all women tried and convicted of witchcraft, and The witches seed is inspired by a true story based on the writing of Jonathan Moore.

So let’s recap the ingredients:

– mix of Ossola Valley and immersive set projections by Edvige Faini

– mix of real-life characters and fantasy enrichments

– mix between rock and opera by the Philharmonic Orchestra under the direction of Eimear Noone

– mix between the pop rock imprint of Irene Grandi and the caliber of two sopranos: Maddalena Calderoni and Veronica Granatiero

– mix of Manfred Schweigklofer’s direction and Nemo Academy’s digital arts

what do you say, could that be enough?

But no: there are other really special weaves, and they are the Intreccincantiere promoted by Manifattura di Domodossola in collaboration with Lineapelle to enhance Made in Italy design and creative art, which will give a totally unique touch to the costumes.

So: July 22 and 23, The witches seed, save the date

A MONUMENT TO REMEMBER

A MONUMENT TO REMEMBER

A monument to remember, or a monument that must be kept in mind every day is the final sentence of what I could never simply define “comment” that Nick from Matavitatau generously wrote about the Weimar Republic

In case you haven’t read it, I strongly advise you not to lose it: you can find it here

Among other things, he also restored confidence to Massimo since I had wandered a lot from his idea laughing

I absolutely agree with the concept of a monument as something that tells us not to forget what has been, since too often we do not take into account the importance of the lessons we could draw from what has already happened.

Instead we fall back.

Life, one would say, is made up of relapses and even death must be a kind of relapse.
Samuel Beckett

Of course we could work on how to get to this “final relapse” … or not?

Yet we persevere in being naively seized by the drifts that drag us too easily into the undertow of the historical ebbs, which rather resemble refluxes, which evil regurgitates after having eaten with impunity.

I quote again: the Weimar Republic remains there as a gigantic warning to “how it was” and to “how it is good that it never again is:” studying it is like seeing ourselves in the mirror, today that democracy is in such danger precisely due to new famines and new racisms.

So why don’t we want to look honestly in the mirror?

If nothing else, at least the unconscious could register what we don’t want to see, even Profondo Rosso teaches us this.

 

Can it then be said that we consciously refuse to see or unconsciously shun the evidence before our eyes?

Now I digress again, I know, but bouncing from mirror to mirror I came across a research by Professor Giovanni Battista Caputo from University of Urbino,  renamed as Caputo effect, do you already know it?

It is based on visual illusion: the professor recorded the reactions of a sample of fifty people who were asked to observe their own image reflected in the mirror for ten consecutive minutes.

The mirror was placed inside a room illuminated only by the light of a lamp positioned so that its light remained behind the observer’s field of vision and could not be reflected.

The results demonstrated distorted views and in particular: most testified that they saw distortions on their face.

Some people have seen the face of a parent, in some cases deceased.

Other unknown faces, animals or even monstrous beings.

Do you think we could try too?

I mostly considered the idea as a metaphor.

In your opinion, what role does the lamp play?

How can we better enlighten to see in the mirror?

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