HAPPINESS

HAPPINESS

Happiness is the title of the latest reading I owe Monica.

What is happiness for you? 

The answer to this question is always very subjective.

What if happiness was a widespread state of mind that involved everyone?

The author of the book: Will Ferguson outlines his hypothesis of what would happen if everyone was happy in a short time.

How? Through a manual: the happiness manual.

Do you think we would need it?

The protagonist of the book: an editor who receives the manuscript of this manual and immediately trashes it, but then …

Everything is told with an irony that distinguished this entertaining read while maintaining an important underlying reflection.

I would particularly like to point out the publishing house: Accènto

Founded by Alessandro Cattelan, this independent publishing house has among its projects, the objective of translating books that are missing from the Italian market, as in this case.

Besides the humour, this book gave me a small discovery, which with my love for words, and for words in different languages, I really appreciated:

May had recently edited a bizarre dictionary of obscure terms for Panderic. The title was The Untranslatables, and it was a playful survey of certain terms absent from the English language. Whole feelings, whole concepts that remained unexpressed for the simple reason that no word had ever been coined to define them. Words like ‘mono-no-awarè,’ ‘the sadness of things,’ a Japanese term that defined the eternal pathos that peeps just below the surface of life. Words like ‘mokita,’ which in the Kiriwina language of New Guinea means ‘the truth that no one talks about.’ It refers to the tacit agreement, between two or more people, to avoid explicit references to a well-known secret…

Do you also know any untranslatables?

ECHOES FROM THE UNKNOWN

ECHOES FROM THE UNKNOWN

Echoes from the Unknown is the book I received as part of the Mari’s Manual online book fair.

I would like to thank the author: Cristiano Venturelli for the courtesy.

The anthology Echoes from the Unknown is his third publishing work.

What is the unknown?

Cristiano asks this question, emphasising a quote by H.Philip Lovecraft:
The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.

How do you deal with courage?

If you were confronted with something that could generally be called a paranormal phenomenon, how would you react?

Would you want to find out what it really was or would you run for your life?

With respect to the concept of the unknown, does your first immediately instinctive reaction lead you to consider something dark and negative?

Do you believe that everything must have a logical explanation?

Or, on the contrary, do you think the line that can lead you to intersect everyday situations with supernatural realms can also be thin?

Each of the protagonists faces the unknown in a different way, but even before that, each represents human weaknesses and fallibility.

Yet very important values emerge from each tale, offering food for thought on aspects that should be echoed.

Reading the author’s notes, the love for his daughter, to whom the book is dedicated, shines through.

As it will soon be 19 March, I take this opportunity to express my gratitude for all loving fathers.

HO CHIUSO CON TE – I’M DONE WITH YOU

HO CHIUSO CON TE – I’M DONE WITH YOU

Ho chiuso con te, Guida Editori is the book for which I would like to thank Manuale di Mari  and the author: Emanuela Esposito Amato.

Ho chiuso con te is a sentence that immediately leads us to think of something peremptory, of an unhappy and angry epilogue, yet the book opens up many reflections.

The first ‘reflection’ is literally a mirror image: the book’s protagonists are twins bound by a promise.

Two sisters, one thing.

One thing just like the two opposing sides of the same soul: good and evil, Yin and Yang, Motown and Metal.

Do you also have an inside-out juxtaposition?

Escher comes to mind. 

 

Maurits Cornelis Escher, Bond of Union, April 1956. Lithograph, 25.3×33.9 cm, The Netherlands, Escher Foundation Collection All M.C. Escher works © 2021 The M.C. Escher Company The Netherlands. All rights reserved

We are wrong when we believe we are in truth and vice versa.
Thomas Bernhard

On the subject of what is true, the author, before telling the story, quotes a sentence by Oscar Wilde:

 

Is it really so? Do you feel yourself always and everywhere?

Is there a person in the world who really knows you to the core?

Emanuela Esposito Amato who is currently participating in The international book fair in Turin, dedicated the book to his brother.

His dedication immediately put me on his wavelength because I also think that ‘my’ brother is a BIG brother.

Do you have brothers or sisters? What kind of bond do you have, if you don’t mind me asking?

Very often there are stories of brotherly misunderstandings, quarrels, break-ups … of ‘I’m done with you.’

But will this really be the focus of the book?

I leave it to the reader to find out.

A MONUMENT TO REMEMBER

A MONUMENT TO REMEMBER

A monument to remember, or a monument that must be kept in mind every day is the final sentence of what I could never simply define “comment” that Nick from Matavitatau generously wrote about the Weimar Republic

In case you haven’t read it, I strongly advise you not to lose it: you can find it here

Among other things, he also restored confidence to Massimo since I had wandered a lot from his idea laughing

I absolutely agree with the concept of a monument as something that tells us not to forget what has been, since too often we do not take into account the importance of the lessons we could draw from what has already happened.

Instead we fall back.

Life, one would say, is made up of relapses and even death must be a kind of relapse.
Samuel Beckett

Of course we could work on how to get to this “final relapse” … or not?

Yet we persevere in being naively seized by the drifts that drag us too easily into the undertow of the historical ebbs, which rather resemble refluxes, which evil regurgitates after having eaten with impunity.

I quote again: the Weimar Republic remains there as a gigantic warning to “how it was” and to “how it is good that it never again is:” studying it is like seeing ourselves in the mirror, today that democracy is in such danger precisely due to new famines and new racisms.

So why don’t we want to look honestly in the mirror?

If nothing else, at least the unconscious could register what we don’t want to see, even Profondo Rosso teaches us this.

 

Can it then be said that we consciously refuse to see or unconsciously shun the evidence before our eyes?

Now I digress again, I know, but bouncing from mirror to mirror I came across a research by Professor Giovanni Battista Caputo from University of Urbino,  renamed as Caputo effect, do you already know it?

It is based on visual illusion: the professor recorded the reactions of a sample of fifty people who were asked to observe their own image reflected in the mirror for ten consecutive minutes.

The mirror was placed inside a room illuminated only by the light of a lamp positioned so that its light remained behind the observer’s field of vision and could not be reflected.

The results demonstrated distorted views and in particular: most testified that they saw distortions on their face.

Some people have seen the face of a parent, in some cases deceased.

Other unknown faces, animals or even monstrous beings.

Do you think we could try too?

I mostly considered the idea as a metaphor.

In your opinion, what role does the lamp play?

How can we better enlighten to see in the mirror?

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