MY OPPONENT PLAYS TENNIS

MY OPPONENT PLAYS TENNIS

My opponent plays tennis is the prelude to the challenge that Fabrizio Canciani was forced to face.

These days tennis is the focus of media attention and everyone, sport people or not, follows it in some way, but I would like to tell you about this different tennis match.

Fabrizio Canciani is a writer and singer-songwriter, an exponent of that artistic Milan  that always gives a strong sense of belonging and the beauty of that side that retains its characteristic connotation while downplaying its cosmopolitan aspect.

Defined as ‘the cabaret artist lent to the crime novel‘ Fabrizio has staged, among others, the show Murders and songs, which is also a book.

La mia avversaria gioca a tennis

His books published by Todaro Editore  number seven, between 2004 and 2011, and then there are books with other publishers.

To describe Fabrizio in an immediate and effective manner, I will quote the words of introduction to one of his books:
I met Canciani in an underground club, very underground, more underground than club, in short, in the suburbs; where, at a time of great television noise, they were trying their hand at intelligent cabaret. Or not.
He is a good one, even when he writes. I highly recommend reading his detective story.
Or not.
Enzo Jannacci 

La mia avversaria gioca a tennis

Among the songs Fabrizio has written, I cannot fail to mention Nerazzuri siamo noi

Fabrizio also sang at the San Siro for the Scudetto celebration in 2007.

La mia avversaria gioca a tennis

Sure he also sung for the double star this year, but not on the pitch.

Because his opponent plays tennis.

Antonius Block, a noble Scandinavian knight, on his return from the Crusades in the Holy Land, finds death waiting for him on the beach. She would like to take him away but the knight decides to challenge her at chess. An unequal challenge, death knows a thousand tricks, he is invincible. He is only trying to buy a little time, just a little time. Just the length of a film: The Seventh Seal by Igmar Bergman.
I wasn’t coming back from any crusade, I detest crusades, even crosswords bore me.
I had my life.
And I liked it. In fact, I was going through a really happy time, which is not so obvious these days.
But one day, on my way home, I too found an adversary waiting for me, to challenge me. Not on the beach, in the kitchen, at dinner.
Death? No, worse, worse. In the meantime, death plays chess, you sit there nice and quiet, you move the pawns, you think about it, you cannot hope for luck but only for ingenuity, and if you sweat it is only because of the tension.
My opponent plays tennis …

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La mia avversaria gioca a tennis

aTUTTOCUORE

aTUTTOCUORE

aTUTTOCUORE with all my heart I would like to thank my brother and sister-in-law because after Twelve Notes again this year my birthday present was a wonderful experience.

A musical experience but also a visual and sensorial one, because at every concert Claudio Baglioni manages to amaze with different versions while remaining true to himself.

After the debut in Pesaro, the indoor version of aTUTTOCUORE started at the Mediolanum Forum in MILAN on 20, 21 and 22 January and will continue on 5 and 6 February.

A show that you shouldn’t miss.

aTUTTOCUORE opens with E tu come stai? And it is just as if Claudio wanted to pick up the thread of the conversation with his fans: like a long public dialogue but at the same time intimate because of the way he gives himself.

This is followed by Dagli il via… and of course ‘the start’ is only the beginning of a long sequence of surprises.

Then Acqua dalla luna … hurry audience … you will see …

you will see the wonder created by the perfect combination of costumes by and choreography by Veronica Peparini directed by Giuliano Peparini.

I will continue with the set list:
Con tutto l’amore che posso and Quante volte featured by Claudio Baglioni’s funny dance moves and by the powerful peculiarity of this show: the images on the maxi-screens blending with the play of light and the evolutions of all the artists up and down the stairs of the stage set create an enthralling three-dimensionality

Then Un po di piu’
Gli anni più belli
Domani mai
Quanto ti voglio
Fammi andar via
Niente più
E adesso la pubblicità
A tutto cuore.

Claudio puts his heart into everything, in the sense of energy, in the sense of wanting to make music at its best, using his heart which, as he said in an interview, can also be considered a percussion instrument, as well as the calendar that marks our time.

And more: Mal d’amore
W l’Inghilterra
Sono io
Cuore D’Aliante
Uomo di varie età
Le ragazze dell’est
Uomini persi
Noi no
Amori in corso
Un nuovo giorno un giorno nuovo
Con voi

and with us Claudio sang illuminating the audience with multidirectional and totally inclusive beams of light.

Unmissable Questo piccolo grande amore
Dodici note
Io sono qui
Amore bello
Solo
Sabato pomeriggio
Porta portese
in a current version enriched with a riot of cheerful playfulness.

Avrai
Io me ne andrei
That masterpiece of Mille giorni di me e di te
My favourite for ‘the hair-raising coffee Via

E tu
Strada facendo
La vita è adesso
and concluding with the music of Poster.

At that point, instead of going far away, you just want to stay so as not to interrupt the magic, but on the screen the faces of the countless musicians, choristers, dancers, artists and performers scroll by.

One above all is the dancer Antonio Ciarciello, chosen after an epic casting, given the number of candidates, who all the time dances as a sort of alter ego.

What do you say? The set list is quite long, yet there are always a few songs missing from the poems in music that Claudio has written.

As many as there are songs, as many are the jackets that Claudio Baglioni has worn: a different one for each song, without ever a moment’s interruption, in a constant succession.

Also incessant is the kaleidoscope of images, futuristic and current, as well as evocative and suggestive by light designer Ivan Pierri

Paolo Gianolio, who has collaborated uninterruptedly with Claudio Baglioni since the 1985 album La vita è adesso.

Many years have passed since then, and yet … La vita è adesso: life is now … is it?

Which is your favourite?

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