THERE IS STILL TOMORROW.

THERE IS STILL TOMORROW.

There is still tomorrow which sees the directorial debut of Paola Cortellesi is the film that won the Audience Award, Special Jury Prize and Mention as Best First Work at the Rome Film Festival

Paola Cortellesi doesn’t need to be introduced, I always remember one of her gags in which she ironically listed all the things she has done, which are really so many and very different from each other, but which have the same feature in common: they are all done well.

I thank Elisa and her proposal: we went to the movies together fearing that we would have to use tissues to wipe tears and instead we mostly surprised ourselves.

The Friends.
In the movie: Delia and Marisa.

Emotion, however, was not lacking.

I, for one, was moved by the portrayal of a mother’s love for her daughter, who is played by Romana Maggiora Vergano in the film.

A love above all things, a love for which nothing is impossible, a pure and unwavering love.

Fragility and strength in a maelstrom of endurance and determination in which the ability to carry the crushing weight of a long interminable series of verbal and physical injustices and bullying, is catalyzed in the resolute will to seek a better destiny for Marcella.

Mother and daughter.

A crushed mother and a model daughter who does not understand Delia’s submission.

Succumbing and resisting at the same time, in a dance that is broken melody, is rock, is hip hop rap, is retro.

Marcella does not understand, but she will.

Marcella will look at her mother Delia and see the affirmation of a seemingly simple but extremely important gesture as a right, as a beginning.

Every change has a beginning.

There is still tomorrow represents “the music that changes” in a literal sense: I cannot fail to mention the repertoire songs from the soundtrack:
Aprite le finestre Fiorella Bini
Nessuno Naked Music
Perdoniamoci Achille Togliani
A bocca chiusa Daniele Silvestri
M’innamoro davvero Fabio Concato
La notte dei miracoli Lucio Dalla
Calvin The Jon Spencer Blues Explosion
B.O.B. – Bombs Over Baghdad Outkast
The little things Big Gigantic featuring Angela McCluskey
Swinging on the right side Lorenzo Maffia and Alessandro La Corte
Tu sei il mio grande amor Lorenzo Maffia, Alessandro La Corte and Enrico Rispoli.

Surprising, isn’t it?

Surprising as what you don’t expect from There is still tomorrow: the ending.

Indeed, in my heart I hoped that Delia’s project would not be the obvious one, but at the same time I would not have guessed an epilogue like the one with which Paola Cortellesi invites everyone to a beautiful reflection.

Light yet explosive, simple yet disruptive, just like Delia, just like Paola.

Yes because Delia is Paola, she is Marcella, and she is our grandmother.

Delia is so many lives of giving up, Delia is so many years of suffering.

Like nothing at all.

1899

1899

1899 is an eight-episode series, or rather, it is “a short journey” as described in the bio, created by Jantje Friese & Baran bo Odar for Netflix.

Short journey because, as communicated by the authors themselves, the series stops at the end of the first season, although two more were planned, as for Dark

Dark is referred to because the authors of 1899 are: Jantje Friese & Baran bo Odar, whose profiles by the way are currently non-existent …

On my opionion this series is definitely ICONIC at first because of this book:

May your coffee kick in before reality does.

Perfect.

AlsoI had one of those musically satisfying moments at the end of the first episode.

A surprise that was repeated in the concept, with different expressions though for each episode.

If you have already seen the series, we can talk about it in the comments: did you recognize each time?

The theme song then is a cover in the fitting interpretation of Eliot Sumner … last name that will surely ring a bell, right? 

Also ça va sans dire: again the quotes and references chase each other, so much so that I encountered one of the themes I am particularly fond of,  in addition to the clues related to computer binary codes.

One of these coincides with a scene that I loved: cups raised in unison!!

Did you notice the glitch at this juncture?

So three things I am partial to, yet amazingly there is another one!

Triangles … that’s all I’ll add.

STAR WARS DAY

STAR WARS DAY

Star Wars day or May the fourth iconic data that represents the mythical motto May the Force be with You.

The Star Wars day 2022 in Vigevano took place not on the 4th but on the 7th of May: that is the first Saturday next, and the force was in all those who love the Star Wars saga.

At the event organized by Diapason for Medium Size in collaboration with Bottega dei suoni more than force I felt happiness flow through me when I saw these children

Isn’t it wonderful to see them play so free in a meadow

Of course I also congratulate a lot with all the extras of the international costuming groups officially recognized by LucasFilm: 501st Italica Garrison representatives of the empire and the Sith, Rebel Legion Italian Base  representatives of the Rebellion and the Jedi, Ori’Cetar Clan representatives of the Mandalorians, Saber Guild Trento duelists with lightsaber together with  the section dedicated to children under 18 Galactic Academy Varykbellino.

 

Unlike some very characterized genres, which often either love or hate each other, I believe that Star Wars is universally known and even appreciated, albeit to different levels.

As usual, by now you know me, even in Star Wars I arrived later, with one of my usual trains late …

I remember very well the amazement of Massimo, who was not yet my husband at the time, choosing a film to watch together: “You’ve never seen Star Wars ?!”

At the time there were only the first three movies, released in May in the years 1977, 1980 and 1983, which then in reality became the fourth, fifth and sixth, that is the Sequel Trilogy, after that starting from 1999 George Lucas returned to give other “episodes” that made up the Prequel Trilogy.

Obviously it was love at first sight, or perhaps I should say a lightsaber stroke: a lot to learn I still had

And you?

Needless to say, the soundtrack immediately impressed itself indelibly in my mind. Standing ovation for John Williams

Speaking of impressions… what do you think of these cappuccinos

The dark side of coffee …

Fear is the path to the dark side. Fear leads to anger, anger to hate; hate leads to suffering ...

In the comments the picture of a native character particularly radicalized in fear: Darth Anxiety 🙂

https://www.keepcalmandrinkcoffee.com/wp-content/uploads/2022/05/Chewbacca-roar.mp3
WEST SIDE STORY

WEST SIDE STORY

West Side Story is history, let me play on words.

History of cinema even for those who are not fond of musicals.

Do you like musicals?

They are perhaps the most controversial kind of movies: either you hate it, or you love it.

I love it.

In case you have any doubts, I suggest you to read this post on the blog Come cerchi sull’acqua

West Side Story was born as a play on Broadway and Jack Gottlieb tells us how it was conceived by drawing inspiration from Shakespeare’s Romeo and Juliet and how Jerome Robbins had initially imagined Juliet as a Jewish girl and Romeo as an Italian Catholic. The action, set during the Easter / Passover season, was supposed to take place on the Lower East Side of New York City. So the title could have been EAST Side Story or Gangway.

I find it totally understandable that Steven Spielberg said it was the toughest film of his career. 

I started looking at it together with all the positive assumptions, and with all the curiosity to find out how the arduous challenge had been solved.

The beginning shows the imminent demolition of the neighborhood and, personally, I interpreted it as the metaphor of a breaking wrecking ball but not about the past.

Time is to be demolished.

Because despite all the years that have passed, studded with dramatic events, it is as if history had been written today.

And Rita Moreno becomes like a fulcrum of human suffering, around which the repeated cyclically recurring pain manifests itself despite the passage of time.

In this video she receives the Oscar for the interpretation of the character of Anita in 1962

 

And following is the post with which she congratulates Ariana DeBose for the recent victory for having played the role of Anita, differently and yet with equal effectiveness.

For Rita Moreno in Spielberg’s film the role of Valentina was created: Doc’s widow, who helps and supports Tony after his misadventures with justice, but in various interviews she has been defined as the “mother” of West Side Story for how she advised, assisted, supervised tirelessly.

And obviously all of this entered my heart.

Not to mention her iconic joke for me: Tony asks her to translate “forever” because she wants to declare herself to Maria in Spanish and she, frightened by that tragically unreal idea of absolute, replies something like “why don’t I just say I’d like to have a coffee with you?”

Eh!

Undoubtedly, it is still an important statement, right!?

And while drinking your coffee, I once again recommend you the detailed and professional analysis of Matavitatau

Is there a particular song you prefer from the West Side Story soundtrack?

They are all songs destined to stay in your mind once you listen to them, but, just to name three sensationally super famous, are you more for Tonight, Maria, or America?

HOUSE OF GUCCI

HOUSE OF GUCCI

The Gucci family has repeatedly dissociated itself from the portrait that the film portrays, and I will not go into the merits, but now I can finally say that Lady Gaga in the House of Gucci is truly credible, for the vision I had of it.

So, taking up the talk on Patrizia Reggiani, apparently Lady Germanotta’s decision not to meet her did not affect the interpretation, despite Reggiani being annoyed.

Obviously I observed clothes, accessories, and outfits in general, with particular interest both for Gucci pieces and for 80s looks, and I have to say that I enjoyed the work of costume designer Yanti Yates.

Very scrupulous work, starting from months of study in the archives of the Gucci maison.

In an interview with the New York Times,  available in full on Instagram, Yanti Yates stated that Lady Gaga was hugely involved, not least because she is a complete clotheshorse and looks marvelous in everything. She was hugely focused on how her character might appear at a particular moment, and had very strong views on aspects like hair and makeup.

But also difficult work, again according to the statements made during the interview: I would create initial selections, and then she would select from there.

Gaga selected.

It also seems that there have been days when for her it was “not today.”

Moreover, the same Gucci website reports as an iconic statement from Yanti Yates: “Lady Gaga told me that in this movie she wanted to dress like her Italian mom. To create her looks, I was able to draw on both her personal and historical Gucci archives.”

Like her Italian mom

How good does this sentence sound?

At the same time, however, I have this doubt that is spinning in my head, so help me understand if my perception is deceiving me since, actually, in the early 70s despite I wasn’t really in the world from longer (also now I am not, but this is a other story).

Unfortunately I could not find the image of the scene in which Maurizio Gucci introduces Patrizia to his father Rodolfo, but more or less the same goes for the floral dress in this picture.

Obviously I’m nobody to question the reconstruction, which in all other situations I have admired, and I stress it well, but the idea of this dress leaves me perplexed. I’m wrong, right?

I leave you this roundup of outfits.

In addition to the clothes, House of Gucci offers the vision of a fantastic series of precious “vintage” cars.

In particular, I really loved the way director Ridley Scott frames the arrivals at Rodolfo Gucci’s home: focused on the entrance. From the outside to the outside.

This shot occurs more than once in the movie, with different cars arriving in front of that entrance.

For me it was a sort of “story within history,” almost a symbol to mark the time.

In the picture below, with the same principle, in contrast we are witnessing a departure.

Which is also a beginning: the beginning of a strategy for Maurizio being back in the company.

For the rest, I refer you to the review by Matavitatau, me, a bit like Cruella, I really enjoyed the non-original soundtrack.

As for the floral dresses, I felt a sort of temporal disorientation that in some cases conquered me, in others it left me a kind of question mark.

For example, I liked the choice for George Michael’s Faith as soundtrack of the wedding scene: despite the anachronistic incongruity, it gave me a joyfulness that counterbalanced the void created by the absence of Maurizio’s family.

On the contrary, I was perplexed listening to Ritornerai by Bruno Lauzi as the background to the scene in which Aldo Gucci goes with Maurizio and Patrizia to the estate where their historic breeding is located. The song is wonderful, ça va sans dire, and the meaning is centered on returning to the origins, but for my personal perception it is as if something screeches.

Apart from that, I could list one song more beautiful than the other, and I would like to propose them all: Here comes the rain again by Eurythmics, Heart of glass by Blondie, Ashes to ashes by the White Duke David Bowie, Blue Monday by New Order, Una notte speciale by Alice, Sono bugiarda by Caterina Caselli, but also Largo al factotum from Il Barbiere di Siviglia by Rossini, Madame Butterfly and much more.

As you choose which one you prefer to listen to first, here are some coffees.

And… the final blessing.

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