INCIPIT

INCIPIT

Incipit: in manuscripts and early printed works, the initial word of the formula that usually appeared at the beginning of a work, or part of it, with the title and author’s name.

In philological and bibliographical usage, the term refers to the quotation of the opening words of a text, which, alone or together with the closing words, the explicit, serves to clearly identify it.

Massimo Legnani of the blog Orearovescio  shared and also won the Scripta Ludus prize curated by Luz of the blog Io, la letteratura e Chaplin

Scripta Ludus is the game of incipits

Participants must choose one of the three photos provided and submit their opening line, i.e., “the beginning of a narrative work,” which must therefore have the characteristic of “opening a story” with the intent of capturing the reader’s attention and cannot be limited to a description of what is seen.

Nice, isn’t it?

What does the opening represent for you?

If an opening fails to arouse your interest:

– you keep going on reading anyway in the hopeful expectation that you will become passionate about the story being told.

– you start to get distracted and suddenly the book seems longer than it did when you chose it.

Or perhaps you are one of those who read the opening first.

There are some opening lines that have become very famous. Would you like to mention any?

My opening line for Scripta Ludus:

Dismissal due to position elimination.
A sequence of vowels and consonants that should not make up these words.
Not after all the hard work, after all the missed breaks, after all the unpaid overtime.
Position eliminated.
But there hasn’t been a moment’s respite for months!
Position eliminated.
Just like that, without warning?
Position eliminated.
What if I refuse to sign?
Marcello arrived at his appointment with the human resources manager seven minutes ago.
Seven minutes ago, he thought he was finally going to get a raise.
Seven minutes ago, he was fantasizing about taking his car to the mechanic.
Now, however, the dents he has to deal with are suddenly much more serious than a broken bumper.
Suddenly, everything becomes confusing, impossible to concentrate on.
Metabolize, react, act, process—all verbs that fade away, shrouded in the smoke of anger, hidden by despair, thwarted by fear.
Seven minutes become seventy, and the keyboard with the broken foot, the wobbly chair, the watered-down coffee from the vending machine already seem like stolen pieces of life.
And when seventy hours have passed, the refusal to turn on the laptop to write a resume is still total.
How many submissions will it take before receiving the first response?
How many submissions will it take before we have to stop selecting ads, because after all, we need a job?
Marcello is sitting on the floor with his back against the wall, which is perhaps even colder. From that position, he looks at the shelves above the small table he uses as a desk.
Time has deposited layers of dust on those shelves, which hold books, envelopes, the manual alarm clock from his school days, three different Batman action figures, and the blue ball.
Instinctively, Marcello feels the need to pick it up. He gets up, reaches out his hand, but the simple touch triggers a memory in his mind of when he needed both his little hands to throw the ball.
And suddenly he remembers everything.
The lake, his mother, his little feet standing still, the thuds of his bottom on the ground.
He only agrees to walk if his mother holds his hand, otherwise he throws a tantrum, and for quite some time now, every invitation to try to take a few steps on his own has been met with stubbornness: nothing doing, without his mother’s support, his feet remain firmly planted on the ground.
Until that day, after yet another exhortation, he throws the ball at the flowers in protest, but it bounces off the edge of the pot and rolls beyond the garden, down the slope and into the water.
The ball!”
Gone, lost.
After that, Marcello doesn’t know if he cried, how long his mother spent in the water, how many times his grandmother called her, repeating “NO!”
But he clearly remembers the moment when his grandmother’s arms set him down on the pier, with his tired but smiling mother waiting at the end.
And he remembers well the moment when his feet decided to carry him into his mother’s arms, ready to welcome him.
He puts the ball on the table, opens his laptop, and starts typing: Cover Letter.

If you are curious about the selected images, you can find them here.

TEAM

TEAM

The 2025 Bisarca Competition by Il Perdilibri has come to an end.

You know by now that the Bisarca Competition has become a pleasant tradition.

The theme chosen this year is water

I recommend you don’t miss the short stories: Silvia of Come cerchi nell’acqua, Luisa of Words and Music and Stories, Massimo of Orearovescio, Francesca of Tersite,  Camu of Due chiacchiere

The winner was Luca Manganelli’s short story: L’orologiaio (The Watchmaker), which tells of a very peculiar workshop.

And then there’s my Team 🙂

Incoming call for colleague already on the phone, hello, good afternoon, busy at the moment, can I help?

Voice-over and also a bit out of place: no no, come through, I’ll take it.

I is a charged mixture of verbal robustness and self-referential intensity. She likes everything she wants to follow to have her signature, so much so that she reconsiders the concept of marking territory.

Peculiar spectacles around a face stingy with smiles, black curls and that sort of eccentricity that oscillates between strictly trousers and mercifully never a suit.

Temperament expressed in colour combinations accompanied by flashy necklaces.

The curiosity to give an explanation to every single detail embedded in the nazi-grammar uniform, heavy with further various titles or further various titles, whatever.

Can I help and I have been working in the same office for two years of ups and downs, nervousness and biscuits, tension and self-learning.

At the top, but not quite at the helm, a determined good-humoured woman has arrived to counterbalance I, starting with the jaunty brown forelock that starts the downplay already from the look.

Determined is as prepared as she is competent, as friendly as she is skilful, as sober as she is contemporary.

Every day is Monday, every day the same dynamics repeat themselves as in a cyclic chain of relaunch manias, every day the roulette of the unexpected stops on problems, red or black, even or odd, big or small.

I and Determined never cross paths, they proceed like parallel tracks, chasing each other in bravura like horses on a merry-go-round.

I is maniacally habitual.

Determined improvises according to the situation.

I is fuelled by an inexhaustible vein of nastiness and pulverises.

Determined is at peace with all and contains.

Today’s Monday is taking a more critical turn than usual, the ball is spinning out of control: the incoming call is not in Italian.

I progressively flares up, sketches, rectifies, fails to understand, gets so fired up that she releases a burning smell.

Determined appears sparkling, even elegantly without mumbling, but the risks associated with the criticality of the moment lead her to overheat.

She offers the first response, which falls into the void like an arrow shot into the sea.

And still she overheats.

She proposes the second answer, which falls into the void like a feather escaped from a pillow.

And still she overheats.

She proposes the third response, which falls into the void like a plea for peace.

Determined is in danger of exploding.

I and Determined have forgotten Can I help.

Can I help is never the protagonist, her work is almost permanently out of the spotlight, but she is part of the team.

Can I help knows languages.

Can I help is like that element that nobody ever considers.

You can have the best blend in the world and the top of the range moka, but you cannot make coffee without water.

TELL ME A STORY

TELL ME A STORY

Raccontami una storia – Tell me a story is an initiative by Maria Guidi, La tana di Aloiz  and Sandra Giannetto

Raccontami una storia is a game that consists of writing a story following certain directions and a theme.

The theme of the second edition: ‘drawing inspiration from a painting!’

I suggest you follow the organisers to discover interviews with the three winners.

Then, if you feel like it, you can read my story

Even this morning, I am watching the sun rise beyond the skeleton of the building opposite: since the soft orangey pink has begun to contrast with the grey illuminating the sky and hope, I don’t want to miss the colours because they are proof that it is not over yet.

I thought I would never see them again, I thought my punishment for not having exploded yet was to become a useless part of a single inexorable leaden gloom.

I regret that I was unable to count the days accurately, that I succumbed to confusion, that I did not even take care of my memory.

Had I done so, I might now know how much time had passed.

But I didn’t want to think any more, I just wanted it all to end. Each new day was just another skipped meal, another interminable darkness strewn with anguish, another series of exhausting yet unsuccessful efforts in search of an impossible solution.

Instead, the light has begun to mark time again and I now believe it, it is not just a dream, nor a coincidence, nor even my illusion: the sun still exists.

One enemy lurks, however: fear.

I have not been hit, I have not been crushed, I have not been asphyxiated, and I have even managed to hide from the incursions of the human jackals, but I still cannot free myself from the grip that presses on my brain and paralyses me.

I tell myself it makes no sense.

Then I relive everything.

The gigantic ball igniting the sky and suddenly bouncing upwards, and immediately the shockwave.

A macabre, accelerated domino that shatters everything.

Without my eyes having time to see, the heat was already on me.

Pain is not food.

But I must eat more of it if I am to find real nourishment.

And then Frances is at the end of her tether, and I want to do everything I can, just as she did from the moment she dragged me by weight into the cistern until she taught me how to climb down the shaft to the warehouse.

She held the rope and sang U2 to give me courage

You’r in the mud
In the maze of her imagination
You love this town
Even if that doesn’t ring true

The first time I wanted it to stop but I didn’t dare shout it out for fear that some of the marauding Huns would hear me. Yet if it hadn’t been for those sung words ‘sky falls, you feel like … it’s a beautiful day …’ I wouldn’t have been able to find enough strength to climb back up.

The more things I could carry, the longer I could rest in hiding again.

And to think that on the various occasions when I had more or less tried, I had never managed to climb up a rope: my hands burned within minutes and the non-existent muscles in my arms didn’t even pretend to contract.

Survival.

A huge challenge to overcome in order to stay alive, even when staying alive seems like the worst of ideas.

Adrenaline, instinct, terror, mixing in a closed circle of pulsations bouncing between heart and brain at uncontrollable speed.

Survival.

Force that becomes flesh split between two heads: hope and despair. Like a Cerberus whose paws rest on the breath with all their agonising weight.

Survival.

Thinking that there can never be anything worse until existence turns into waiting.

Waiting for respite, waiting for food, waiting for mercy. Waiting for a miracle, for help, for a new day.

Like today.

The painting is Light and Colour (Goethe’s Theory) by William Turner.

THE LAST RIDE

THE LAST RIDE

The Last Ride is the title of my story for the Bisarca 2024 competition organised by Il Perdilibri

I have already told you about the Bisarca  competition in past editions: but I quote directly: what do you win? The satisfaction of participation and eventual victory.

I would therefore like to take this opportunity to thank Il Perdilibri for hosting The Last Ride.

Habit is regarded as addiction, but asking questions is also a habit.

Eleonora, however, is not in the habit of doubting her schedule, starting with the alarm clock: for which there are three repetitions before getting up, every day, regardless of tiredness, weather, hunger, or stress level.

After that everything is calculated, including the delay, a luxury offered to her by an anonymous traveller.

A group sub-habit is created among the usual commuters: a kind of unwritten code according to which, occasional invaders aside, seats are occupied according to a kind of hierarchy acquired over time.

Eleonora remembers the day when the man with whom she shares the seat beckoned to her: ‘as of today the seat is free’ were the only words other than good morning and good day, which they exchanged over a period of what may be a thousand days now.

Eleonora arrives at six forty-three minutes, sure to find the seat reserved by her travelling companion, who, as always, rests his briefcase on the window side until she reaches him.

All she knows about him is that he travels daily to Milan, that he perpetually listens to something on his earphones, that he prefers classic, good-quality clothes in shades of grey, and that he uses a perfume with Vetiver as the base note.

Every morning they exchange a single good morning each, Eleonora sits down, takes the book out of her bag and starts reading. In these thousand days she will have read a hundred books, all in strict silence until she arrives at Porta Garibaldi, when her travelling companion wishes her a good day before gettinf off, leaving her for her ritual minutes during which she waits for the crowd to thin out.

If you want, you can find the rest here

But first tell me: what would be the last ride for you?

There are many examples: books, movies, on a personal level though, does your first instinct lead you to think of last in a positive or negative way?

BISARCA CONTEST 2022

BISARCA CONTEST 2022

Il Perdilibri was kind enough to accept my participation the Bisarca contest 2022 too.

What a cute logo, don’t you think?

How much time passed with Settimana Enigmistica

Are you in the tunnel too?

Crossword or rebus, what do you prefer?

Did you know that it is possible to do crosswords online

As soon as I found them I couldn’t resist because immediately after the Mickey Mouse they were another “addiction” of mine.

But I missed browsing to get to the bottom, towards Bartezzaghi’s crosswords, anyway I’ll try again.

Returning to the Bisarca contest 2022, the chosen theme is “reason / emotional.”

With emotion, I’m a bit like a roller coaster, and theoretically I should be on a pro level, so to speak, yet mine is a very simple story, and I can’t explain …

THE REASON
Mr. Croda again this morning is sitting in front of the coffee that Susanna served him without saying a word: it is now a ritual, same time, same place, last table before the planter.
Mr. Croda again this morning is counting mentally to hold off anxiety: he is now accurate, there is no need to check the clock, he only deviates a few seconds.
Mr. Croda again this morning sees Mrs. Pedretti leave the church after the celebration: by now he knows that she lingers in the churchyard to chat with her friends.
What he does not know is that Mrs. Pedretti again this morning set her gaze on him: by now she would be disappointed if she did not see him.
Mr. Croda and Mrs. Pedretti no longer spoke to each other since the day when, while Mr. Croda was looking for a supplement for immune defenses in the pharmacy, accidentallt heard one of Mrs. Pedretti’s friends mocking her: “that hobo went to her handing a daisy, and she had the courage to accept it, easy, without showing a modicum of shame. “
“This makes her really ridiculous” was the pharmacist’s reply, before blushing when she saw him popping out from behind the shelf and running to the exit.
Mr. Croda does not want to embarrass Mrs. Pedretti.
Mr. Croda doesn’t want to embarrass anyone.
Mr. Croda again this morning hides his regret behind his dark glasses: he is now emotionally exhausted by people’s judgments.
Mrs Pedretti again this morning would like to go to Mr Croda to greet him: by now it is clear that he is deliberately keeping his distance, but she does not understand the reason.

BISARCA CONTEST 2021

BISARCA CONTEST 2021

”Whatever ” you can do or dream you can, begin it.
Boldness has genius, power and magic in it.
Johann Wolfgang von Goethe

Monica dedicated this sentence to me as one of her many encouragement.
Audacity and I are not even distant relatives and you will tell me “yet you had a lot of courage to participate.”

True! In fact, thank you very much Il Perdilibri for giving this opportunity and for accepting me.

I suggest you also read the stories of past editions which are really very interesting.

Regarding the 2021 edition, in addition to Il Perdilibri, I also thank the other participants who supported me, and even endured me, although they are much better: I had the opportunity to broaden the horizons of knowledge but also of reflection, to learn, and especially to read BEAUTIFUL things.

Then, if you like, there is also mySunset” 

One hundred and seventy-fourth day of captivity, I am writing only now, after my damned jailer has repeatedly prevented me.
Yet I had deluded myself into a loosening of retaliation after my last escape attempt, at the moment when I could taste the food today.
I hadn’t eaten like this since the early days, when the coward still allowed me to go out and walk.
At the first spoonful I felt the desire to bite: an unexpected desire to eat that I didn’t let go.
It was extremely satisfying after all this time to be able to decide to do something with a simple impulse.
When you lose your freedom, nothing is taken for granted. Not even the brief sleep I fell into after devouring everything I could.
But now I wonder what induced the coward to let me seize these moments and I fear he intends to strike me.
I am so tired of feeling like a prey, of feeling totally vulnerable, of annihilating my strength by dint of defending myself.
With my fingers I touch the scar, in the braille writing that I invented I decided to read the word alive, I have been doing it since the day I thanked for those points that put my life back together as well as my skin.
But now the challenge has shifted to the psychological level: my body is almost completely atrophied, but my mind is not.
He knows it well and has honed his perfidy.
Every time I tried to escape, he recaptured me and locked me up in a worse condition than the previous one. Exactly like a noose, but leaving me the breath to allow the suffering to manifest itself in all its devastating repertoire.
Today I was winning until he came back: I feel him so much that I can see the bright red of his fire like a November sunset that sets the sky on fire.
I understood: the time of the night has come.
The time has come when that cowardly carcinoma will swallow my light.

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