SOLSTICES COMARI AND TAROTS

SOLSTICES COMARI AND TAROTS

itsIn recent days I have crossed various thoughts, starting from Gabriella‘s post on the Water of San Giovanni but also on the rite of fire to become comari, not in the sense that I had so far given to this word.

Therefore, water and fire.
Water and fire that according to Cicero “are not of more universal use than friendship.”
Water and fire, two of the four elements of life.

The water and the fire that the druids define Litha that is the light of the shore because the fire, or rather the sun, which has reached the zenith and has reached its maximum point, plunges into the waters, on the beach, at the meeting point between land and sea.

Of the summer solstice, which Alidada explained masterfully in her Uno spicchio di cielo, I fell in love many years ago reading Sarum by Edward Rutherfurd who, starting from the ice age, sees the birth of Stonehenge which in my imagination goes far beyond the status of “ringing rocks” for example, and is covered in mystery with that aftertaste of legend that I love.

But returning to Litha, I would like to resume a little the concept of Samhain: moment in which the veil between the two worlds is thinner, but moving the contrast between “above and below” just like a celebration of the opposite, which of course I love. It is no coincidence that Litha is also defined as a day out of time.

In this reversal, it is as if the elements of fire and water overturn their roles in a magical union.
A suggestive image representing this magic is realized in the floating candles.

Fire, water.
Bonfire and dew.
Waves and fires.

This is how Shakespeare in his A Midsummer Night’s Dream describes the reply of a fairy:
Over hill, over dale,
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire.
I do wander everywhere
Swifter than the moon’s sphere.
And I serve the fairy queen
To dew her orbs upon the green.

Fire, water.
Sun and moon.

And then I remembered the advice QueenFaee Studio gave me in the comments here where sun and moon draw inspiration from the Visconti Sforza tarot cards, just to point out the curious coincidences, and my connection with the land …

This short film by Garrone for Dior enchants like the magical floating of the stars under the marvelous vault of the Tuscan castle of Sammezzano which, exactly as if inverted upside down, leads them to float in the water of the fountain.

Maria Grazia Chiuri wanted to give a reinterpretation of the tarot cards by transporting them into a fairy-tale but also an artistic dimension, in which the precious embroideries and the refined textures of the fabrics give life to works of art: living paintings, which not only allow themselves to be observed, but drag on a journey in search of answers.

The first dress, among other things, struck me: leaves on lace, a sort of mixture of fashion and nature that not by chance I immediately found magical, and that made me think in particular of the tree in the photo under the title, with its dress of ivy, because Nature dresses wonderfully.

But perhaps my absolute favorite is Le Pendu.

At this point you will tell me “but what does all this have to do with it”

In reality, by crossing traditions, legends and fairytale atmospheres, I would like to interpret this summer as a series of cards that can offer a reading key that allows the re-appropriation of the magic of feeling aligned with the sun, ready to welcome the light.

And you?
What do you see or predict in your cards?
Water, fire, or what else?

PS: in the comments the Keep Calm version of Le Fou … or an upside-down creature who wants to be a comare, who is not silent like a cicada, who accumulates like an ant and who knows how to be heavy as a stone, but also loooong more “suspended” than Stonehenge laughing

GOOGLE NEWS SHOWCASE

GOOGLE NEWS SHOWCASE

Googler: googling in French begins to have a different meaning if you enter the field of IPG certified editorial news.

Our cousins from beyond the Alps scored a further small victory against the giants of the web

In fact, an agreement has been signed between the Alliance de la Presse d’Information Générale: APIG and Google France which provides for a remuneration for the license agreements of the publishers of newspapers within a new program: News Showcase

The remuneration provided for in the license agreements between each newspaper publisher and Google is based on criteria such as, for example, the contribution to political and general information, the daily volume of publications or the monthly Internet audience.

This is also a very important step in the controversial issue of Copyright Law in Europe and sees France as the first country to adopt legal legislation.

The concept on the basis of which Google has always maintained that news does not bring advantages to the search engine, but only an indexing for the newspapers, is overturned.

It is the conclusion of a battle carried out by the French press which turned to the Competition and Market Authority and subsequently to the Paris Court of Appeal and opens the way to the other member states as well.

The Alliance de la Presse tweet speaks of the effective recognition of #droitvoisin or neighborhood law which, as the Irpa explains allows publishers to obtain fair compensation from search engines and online platforms, established through an agreement, resulting from the use of news extracts. These also include previews (snippets) widely exploited by the search engine.

Where do you follow the news?

LOCAL BROADCASTER EMERGENCY FUND

LOCAL BROADCASTER EMERGENCY FUND

If I say “emergency fund” what do you think?
I associate it with the thought of special help, with a kind of protection that makes it possible to cope with a delicate and difficult financial situation.

In this period various words are taking on new meanings linked to the current context: bonuses, financial aids …

Treccani dictionary defines a fund as a set of monetary means held in a given period for a specific purpose.

“Local broadcasters emergency fund” here I had imagined something a little different than what was communicated by Mise, which actually writes the wording exactly in quotation marks under the title:
Fund for local broadcasters – Extraordinary contribution for the transmission of institutional communication messages (health emergency).

The decree of 12 October in the Official Gazette fully explains that:
the beneficiary local radio and television broadcasters undertake to transmit within their information spaces the institutional communication messages relating to the health emergency that will be made available through the platform made available by the Ministry of Economic Development.

It is also worth reading the attachment: a rate table with variable amounts according to the number of passages to be transmitted at fixed times.

I’m perplexed, how far are we from the comparison with buying advertising space?
Yes, I know, it is bad to make these speeches when there are moral issues involved, but I really would like to understand.

What’s your opinion?
Have you ever listened to any of these broadcasts? Are they announced as institutional communications?
Is RAI really not enough?

Why this “conditional help” when for months every news broadcasts news and interviews with government members, not to mention the amount of dedicated programs and talk shows?

Maybe I’m wrong, you always correct me.

RADIO FREE EUROPE

RADIO FREE EUROPE

If I say Radio Free Europe what do you think about?

Personally I immediately “hear” Michael Stipe’s voice on the notes of the song taken from what is their turning point with Murmur, recently worth sixth place in the ranking of the 100 biggest debut singles of all time, despite the fans’ diatribe to determine whether the original version is better in respect of the one remixed two years later will probably never end, but that’s another story.

This is the third time I quote R.E.M. after What time is the end of the world?  and Shiny happy people,  apart from fact that I’m keen on them, why?

Because Radio Free Europe / Radio Liberty (RFE/RL) established at the beginning of the Cold War to transmit uncensored news and information to audiences behind the Iron Curtain, played a significant role in the collapse of communism and the rise of democracies in post-communist Europe.
Today, RFE/RL is one of the most comprehensive media organizations in the world, producing radio, Internet and television programs in countries where a free press is either banned by the government or nut fully established.
It was founded in 1950 with the aim of offering at least an alternative, a possibility to evaluate a different vision.
Yet 70 years later we seem to have forgotten the importance of plurality of expression since episodes of censorship are increasingly occurring.

The latest has been against a radio: or rather the Radio Radio YouTube channel, which was closed with a decidedly strange dynamic, as explained in detail by the author Fabio Duranti.

Why do we consider people unable to face alternative thoughts? Why the censorship instead of arguing and possibly refuting with well-founded explanations?

The famous phrase I disapprove of what you say, but I will defend to the death your right to say it wrongly attributed to Voltaire and actually written by Evelyn Beatrice Hall, remains essential in its concept in my opinion.

THEY DON’T WANT THE TRUTH

THEY DON’T WANT THE TRUTH

“They pass the years hoping that when my time comes there will no longer be anyone who will continue to insist on asking for truth and justice …”
These are the words, as hard as absolutely lawful, by Luciana Riccardi, spoken in an interview in March 2017 on the occasion of the twenty-third anniversary of the death of her daughter: Ilaria Alpi.
Just over a year later, in June 2018, the hour that Mrs. Luciana was waiting for has arrived, but her voice continues to speak.
Speak through all those who still believe in justice, and speak through all those who recognize admiration and respect for her:
In the meantime, the words her sister Annamaria Riccardi wrote in a letter before the archiving hearing ended in October 2019 were heard: the magistrate granted another six months of investigations to try to get to the truth. This 180-day deadline expired in April but for now it remains frozen like everything else.
In reality, the truth has been blocked for much longer, a very long time.
Who helped Jelle do what he did?
Who paid for it?
Why did they do it?
These are the three questions that Mrs. Luciana left us in her interview with Chiara Cazzaniga for Chi l’ha visto.
Chiara Cazzaniga in particular, has a fundamental role in the investigation: with unstoppable stubbornness convinces Ali Rage Amhed, known as Jelle, to come to Italy to testify for the innocence of Hashi Omar Hassan, in prison with a 26-year sentence. Federica Sciarelli, having a series of doubts about his testimony, instructs her to try to track him down.
In fact, Chiara finds him in Birmingham where he lives, where he has a family, and where he drives the buses, despite being officially unavailable for the power of attorney.
But who exactly are Jelle and Hashi?
Both Somalis, are united by the desire to escape from Somalia, and by the fact that on March 20, 1994 neither of them is on the place where Rai Tg3 correspondents Ilaria Alpi and Miran Hrovatin are murdered.
Yet in January 1998 Hashi, in Rome to testify against alleged violence by the Italian military in Somalia, was arrested for competition in the double murder, accused by Jelle.
Jelle alleges, as a justification for his lie, he did it in order to be able to expatriate: he is in fact granted a pass and a job with a mechanic who repairs the cars of the Ministry of the Interior. And he will declare to have escaped after being deposed at Digos, just trusting that it would not have been possible to convict Hashi in court if he had not presented himself: “look I did not do so much for the money … I took very few, because in any case I didn’t finish the job … but I had achieved my goal which was to go away from Somalia … and I didn’t think that if I had not presented to trial, an innocent would have ended up in prison, and above all I thought someone would have verified what I told “.
This is what would be expected from justice.
In fact, however, things went differently.
Three million euros are the amount recognized as compensation for the 17 years spent in prison by an innocent man, one would wonder if this is the price of a sidetrack.
No, unfortunately the price is much higher, the events are much more intricate and crammed with inconsistencies for which Giorgio and Luciana Alpi continued to demand explanations, invoking a truth that has not yet arrived.
A truth that was written on Ilaria’s notebook, disappeared, a truth probably buried under the Garoe-Bosaso road, a toxic truth.

https://archivioalpihrovatin.camera.it/

Justice, non-violence, human rights, these issues of investigative news reports taken into consideration for the award of the Ilaria Alpi prize.
Authoritative guests at the 2007 edition: Zoe Eroshok journalist from Novaja Gazeta and Ilya Politkovsky son of the Russian journalist murdered in Moscow, Anna Politkovskaya to whom the event was dedicated.
Different stories but with a common denominator:
“The duty of [the] journalist [is] to write what this journalist sees in the reality. It’s only one duty.“

THE BUTTERFLY EFFECT

THE BUTTERFLY EFFECT

“It is sometimes said that the flapping of a butterfly’s wings in one part of the world can cause a hurricane on the other side of the globe.”
This quote comes from the 2004 film The Butterfly Effect and is inspired by a theory taken up and debated in numerous areas.
Once again, as happened for the War of the Worlds: the inspiration comes from a science fiction novel, it is in fact Ray Bradbury who in his Sound of thunder attributes to the proper death of a butterfly during a journey through time, a variation of future events:

Eckels felt himself fall into a chair. He fumbled crazily at the thick slime on his boots. He held up a clod of dirt, trembling,
“No, it can’t be. Not a little thing like that. No!”
Embedded in the mud, glistening green and gold and black, was a butterfly, very beautiful and very dead.

Another coincidence, also in this case the story was broadcast by the BBC in 2011: here if you want to find the podcast (butterfly from about 35 minutes but I would advise you to listen to it all if you have time).
The butterfly symbol was taken up by Edward Lorenz, mathematician and meteorologist professor at the Massachusetts Institute of Technology in his 1963 paper for the New York Academy of Science and later in a 1979 lecture that went down in history.
In general, the butterfly effect belongs to quantum physics and more precisely to the basis of chaos theory.
Chaos is the most congenial aspect to me, but actually I didn’t want to talk about this … not this time, at least.
Antonietta Gatti is perhaps known to most as “the wife of” despite her respectable curriculum. Her skills add up over time, and I would list, almost a bit to summarize, this recognition: she has been awarded the title of Fellow of the International Union of Societies for Biomaterials Science and Engineering for her contribution to the progress of science. The various national societies of biomaterials and bioengineering have tens of thousands of members worldwide and the union of the various companies has elected Dr. Gatti to be part of the elite of scientists that consists of 32 members, and she was part of a parliamentary commission of inquiry as a responsible consultant. I know, difficult to read, but I found her report very interesting, perhaps because I live in a highly polluted area: here the mortality rate from tumors is terrible:
She deals with nanopathology or pathologies induced by micro and nano-sized particulate exposures, i.e. powders with dimensions less than 100nm (0.1 microns) but her research has become difficult due to the reduced availability of a suitable microscope.
Her flapping wings has not changed the world yet, but she has been able to reach the hearts of people who have made it possible to buy a new electron microscope with their donations.
Let us not stop at the fact that individually we cannot make a difference, let us not stop flying lightly on the difficulties, each of us can be the butterfly of change, let’s believe it, and do not let ourselves be crushed in the mud.

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