Basically, the definition of shout songs refers to the Gospel genre: a strongly rhythmic religious song in the African-American folk tradition, characterised by chants or shouts of response between the leader and the congregation.

Shouts of invocation, we can say of a joyful kind.

However, when I think of shout songs, completely different songs immediately materialise in my mind.

Songs that are irresistible to me, in the sense that when I listen to them, I feel strongly involved and find myself singing with an unequivocally liberating emphasis.

Shouts that drag out a load of emotions.

What is the quintessential shout song in your opinion?

Wandering around the web in search of answers, the song mentioned the most left me somewhat perplexed.

It is actually one of the songs in the index of my Heron Formula, so it has a special meaning for me, but for my vision it does not exactly correspond to the idea of a shout song: Won’t Get Fooled Again – Roger Daltrey – The Who.

What do you think?

Going on a sort of statistics of the most quoted songs, I realised that a high percentage of them are in my index. 

A fluke? Definitely not: obviously it all comes down to my vision of music.

What do you prefer to sing instead?

I know, I should use the verb to listen, but shout songs provides an additional level of involvement.

Speaking of involvement, I also take this opportunity to talk about Emily Armstrong.

Her singing screamed a huge responsibility: to get on stage with Linkin Park.

Surely no one considered the thought of a replacement: impossible, but still a huge perplexity remained.

That’s why I appreciated Mike Shinoda’s sentence: the voice of Chester Bennington is you.

We are the voice of those who have left us.

In contrast to the shouting, there are those who have chosen silence, no less than a thousand artists: 1,000 UK Artists. 

These 1,000 UK Artists have released a 12-track album entitled Is that what we want?

Here are the titles:
1. The
2. British
3. Government
4. Must
5. Not
6. Legalise
7. Music
8. Theft
9. To
10. Benefit
11. AI
12. Companies

These tracks do not contain any of the thousands of entries among which we can mention Annie Lennox and Kate Bush and represent the artists’ protest against the proposed change in copyright law.

The amendment would allow artificial intelligence companies to create their own products using rights-protected work: music, lyrics, etc., without a licence, effectively favouring the so-called training of algorithms without providing any remuneration for authors.

Silence to communicate.

Shall we also add our voice?

Or perhaps I should say let us also add our shout …