Chop Suey! It was voted best metal song of the 21st century, first of 100 songs selected and voted by Metal Hammer and obviously I can only be happy.
And to think that as usual “with the last train” I found myself listening to System Of A Down a bit by chance: during one of my researches that start very far and then follow absurd paths, but soooo profitable in this case!
In case you haven’t done so yet, I recommend you check out their site and to listen to their appeal for the people of Artsakh through the Armenia Fund to help displaced civilians, young and old, affected by the horrific war crimes inflicted on Artsakh by Azerbaijan and Turkey.
“It is for our ancestors, our culture and our nation” Serj Tankian, Daron Malakian, Shavo Odadjian and John Dolmayan are strongly linked to their Armenian origins and in November they released two songs to keep attention on the acts of war in the Nagorno Karabakh carried out in September 2020, frankly ignored by the mass media engaged in their monothematic communications …
The name of the group itself comes from a poem by Daron: Victims of a down As the century nears its formidable end, our global experience of universal proportions, predicted by many greats, will arrive at our solar system, to our system of a down.
Their music in general is absolutely recognizable for the influences that represent an enrichment and give the feeling of a very special journey.
You understand it immediately by listening to Aerials: it is impossible not to be captured by it, even if my absolute favorite is Toxicity which at first listen immediately became part of the songs I love.
But back to Chop Suey! The name of a Chinese dish chosen because it represents the idea of cutting: to chop and because suey resonates with what was the original title: Suicide.
The text, very intense, also contains verses from the Gospel as a symbol of a sort of request for help that connotes the human side, and was considered as a protest for how the media treated the death of Kurt Cobain.
Serj stated «The song is about how when people die, they will be regarded differently depending on the way they pass. Like, if I were to die from a drug overdose, everyone would say I deserved it because I abused drugs, hence the line ‘Angels deserve to die’.»
But Serj also said “it’s quite interesting how involved coffee is in a lot of people’s lives …” here he is preparing Armenian coffee… and what cups!
The sensation that is perceived is perhaps comparable to when you are in the last cone of light before entering the tunnel.
The lighting inside is annoying because there are no lights but intermittent glare.
The main feature is in fact these regular intervals, with almost telegraphic interruptions, at the end of which the monotone litany of any type of communication or information on the TV resumes.
I don’t know about you, but I have begun to hate some words that are adopted as mantras.
And instead of rainbows now only dividing colors remain: the colors of zones.
Personally I feel the need for my refuge: music and therefore I would say that the perfect song for today is The Resistance by Muse.
Starting from the cover, which to stay on the subject of colors, represents them in a psychedelic vision. It is no coincidence that it was judged the best of the year 2009.
To continue with the multiple meanings contained in words, texts, metaphors, such as the fact that The Resistance represents a reference to 1984 by George Orwell, which Matthew Bellamy was inspired by.
The passage that directly quotes Eurasia is another, but in reality The Resistance itself evokes a lot of Winston and Julia forced into hiding so as not to be discovered by the Party.
Returning to United States of Eurasia instead, for many it represents plagiarism rather than a quote from Bohemian Rapsody, what do you think?
Also according to the detractors, who do not even like the ghost track Collateral Damage with the sonata Notturno n. 9 by Chopin, the influences that are heard are many and referable to a sort of musical pot pourri.
Did you notice them on first listen? What impressions does this Muse work leave you? Do you find the atmosphere of 1984?
Although it is a classic, I, as usual, have read it very late, that is “ahead in the years” and therefore it may be that my way of perceiving it has been influenced.
1984, as is known, is obtained by inverting the digits of the year in which it was written: 1948.
A curious coincidence: 1984 was an important year in my life, a year of change, a year of which I remember much more than other particular memories and I keep memories.
On the other hand, I am not as inclined to identify the current context with as much affection. The downward curve towards the points where Orwell’s dystopian vision aligns with reality is accentuated more and more evidently.
A bit like the famous ball on the inclined plane, although I would like to continue to hope for a decline, albeit sadly obvious, at least not as accelerated and irreversible because, to return to The Resistance: “If we live our life in fear” …
If I say Radio Free Europe what do you think about?
Personally I immediately “hear” Michael Stipe’s voice on the notes of the song taken from what is their turning point with Murmur, recently worth sixth place in the ranking of the 100 biggest debut singles of all time, despite the fans’ diatribe to determine whether the original version is better in respect of the one remixed two years later will probably never end, but that’s another story.
The latest has been against a radio: or rather the Radio Radio YouTube channel, which was closed with a decidedly strange dynamic, as explained in detail by the author Fabio Duranti.
Why do we consider people unable to face alternative thoughts? Why the censorship instead of arguing and possibly refuting with well-founded explanations?
The famous phrase I disapprove of what you say, but I will defend to the death your right to say it wrongly attributed to Voltaire and actually written by Evelyn Beatrice Hall, remains essential in its concept in my opinion.
I can’t simply call it a song, to me it’s history. It has recently exceeded one billion views on YouTube and I admit that some are mine. A deserved success, which closes the circle of the previous song of the year proclamation at the 1995 MTV Awards. Zombie was shot by Samuel Bayer, who also made the video of “Smells like teen Spirit” to be clear, but more than the undoubted quality, I would linger on the message and on the voice of Dolores O’Riordan. Unfortunately now the first thing that is mentioned everywhere about her is the circumstance of death, but I would like to talk about life. Not of her biography in detail, but I would particularly underline how she wrote this piece in a flash, after learning of the tragic death of two kids from a bomb. Although the episode took place in Ireland in 1993, a specific sadly known context, Dolores has always avoided politicizing. “In your head, in your head” Dolores repeats it, she invokes, she invites to think, it would seem banal and yet too often it is not. Hers is a cry to unite, to awaken. “Violence causes silence.” I find that Dolores knows how to make this silence speak, she knows how to give voice to pain, she knows how to shout not anger, but the strength to say enough. Zombie is against violence, against the inability to stop violence. “This song’s our cry against man’s inhumanity to man; and man’s inhumanity to child.” Dolores O’Riordan
I don’t know about you but as far as I’m concerned, the thought comes loud and clear and settles viscerally. Her “another mother’s breaking heart” becomes mine. Her voice, her unique way of singing, constitute the focal point: a catalyst, which allows the message to communicate all its disruptive despair. “Zombie was inspired by a child’s death. His life was taken in the arm’s of his mother. She was shopping in London last year, and there was a bomb planted in a rubbish bin in London and he happened to be at the wrong place at the wrong time and he died. The reason the bomb was planted was because of a political territorial kind of thing that goes on in the North of Ireland and the UK. So the references to 1916 was when a contract was signed, which signed away the 6 counties to England. And it still goes on today: the war, the deaths, and the injustice.” Dolores O’Riodan
Zombies who see and feel pain, yet do nothing. Zombies not from horror movies and yet terribly scarier: us.
I go on thanking for the comments and this time I take this opportunity to reply from here to Duncan Weick: this blog is a gift from my husband and the structure was developed by Zeus. I try to write and use the images that I hope will make sense. In this regard, I would like to take this opportunity to talk about inspiration: is there anything in particular that facilitates writing, or in general the creation of something that you are passionate about? What does arouse a state of mind in you, thanks to which you can feel in the right mood, feel at peace with yourself, if not with the world? My inspiration almost always comes from music. Rock, to be exact. “Play it fuckin ‘loud!” as Bob Dylan taught us. Power. For me, absolutely energy. But it is impossible to give a definition, to harness in a concept, to circumscribe in a description, because basically it is the absence of barriers. An idea that clashes a lot with this particular moment in which we are actually “enclosed”. This is why I thought of the phrase “time is a preciousthing“: time is not precluded, indeed, now we could say that we have a perception of it dilated, at times perhaps impending. “Watch it fly by as the pendulum swings” continues Mike Shinoda when he sings in a crescendo that I perceive as a fantastic invitation to shout. The magic of some songs is precisely eclecticism, and the power to adapt multifaceted to multiple visions and situations, and in this case too, obviously the interpretations are different. Personally, my favorite one is relevant to the awareness of time. Concept in turn not entirely universal in the sense that its perception is variable according to the point of view, but more generally, I consider the pendulum symbol linked to the most modern society. Now that pendulum is particularly dominating all of us who are stopped, and who should make serious and necessary reflections, I believe. But without going to talk about atomization, I would remain in the simplicity of our cup: will your conception of time change from now on? Or … in the end, it doesn’t even matter?