A few days ago, Antonio was talking about skin on his blog pointing out rightly how in the dialogues of the movie Free Guy skin was literally translated in Italian to the detriment of the real meaning of the term.
The Skins I would like to talk to you about are Costumes Fit for the Battle Royale mode of the Fornite video game signed by Demna Gvsalia creative director of Balenciaga.
It is the first time that haute-couture colonizes a video game with its own brand, in this case it is a partnership between Balenciaga and Epic Games.
Ramirez and Doggo among the iconic characters in the version of the luxury brand.
However, a real capsule is also associated with the digital outfits, available on the Balenciaga e-commerce site.
The campaign for the presentation of the fruit of this unprecedented collaboration is called Strange times and also includes a photographic contest, or, better said, Fortographic.
The best photos posted on Twitter under #Fortography and #StrangeTimes or under the Strange Times post on Reddit will be included in the game.
Between reality and virtual, I throw a dream there: who knows that one day someone will post coffee photos for KCDC …
A photographic print belonging to the ACACIA collection by Gemma De Angelis, donated to the Museo del Novecento in 2015.
In case you’re wondering… yes: it’s a real leopard.
I admit my abysmal ignorance in terms of art, so maybe it’s better if I ask for help … Art and Cult Blogmaybe will want to enlighten me.
Meanwhile, I remain on the topic of bags … this artistic performance was the inspiration for the Arty Capucines version curated by Paola Pivi.
The decoration in the shape of cappuccino cups, which a particular varnish makes similar to porcelain, is inserted using the inlay technique, while for the foam the leather, much softer, is embellished with gold leaf applications. Finally, the leopard is made with an overprinted embroidery to give an additional sensory dimension similar to fur.
Curious to know what this “street of jeans” which is defined as the future Genoese Carnaby Street consists of, I found myself thinking about how jeans have changed from the first pair worn as a child to today.
So I tried to retrace the transformation of the models: 50s, Marylin, a myth
60s: B. B. embodies freedom
the symbolic image of the 70s is unquestionably represented by the flared jeans
that in the 80s tighten at the bottom and here there is not the slightest doubt: King Giorgio‘s high-waisted jeans. But I, who couldn’t afford them, loved the curled balloon version or alternatively with the basque.
ups and then downs? In the 90s the must was wide and long up to trample them …
in the 2000s life was lowered … until it almost disappeared
2010s we go back but the centimeters recovered disappear in width: skinny version
And now? Would you go on with quoting? How many pairs do you own? How often do you wear jeans? Do you find that they can be suitable for all occasions?
Does your job include the possibility of wearing a pair of jeans or do you have a dress code? I think, for example, of when they were banned by Bush for White House collaborators.
Can you find them totally personal? I ask this because I find it singular even just the fact that there is a debate reported by the New York Times according to which base FBI investigation on the uniqueness of the denim fabric worn by suspected criminals, since each pair has a unique wear pattern impossible to replicate in a completely identical way.
By the way, this is where the 501 was presented to us in a stone washed version.
But too much water has passed under the bridge so today the trend is directed towards those who instead promote eco-friendely behaviors such as Howies, Monkee Genes or even Mud Jeans which rents them for a monthly leasing fee that can last 12 months after which jeans are yours.
Lela pointed out the story of Meri Shervashidze telling me that she was the first model to walk the catwalk with a string of pearls for Chanel and that she stood out for the sophisticated style and way of giving beauty as you can see here where Lela added a tag for me:
A very beautiful story that must be told, since I believe it is not sufficiently known.
Unfortunately, there is little information about her: for example, I tried to search through official Chanel websites but I could not find anything. Maybe you can be better than me.
According to Vogue, Gabrielle “Coco” Chanel herself was photographed in conversation with the Grand Duke Dmitri Pavlovich of Russia, wearing her pearl necklaces in 1920.
So a year before Meri arrived in Paris.
But let’s take a step back: Meri Shervashidze was born in 1888 in Batumi and descends from the family of the sovereign prince of Abkhazia.
Abkhazia and South Ossetia are other from Tbilisi and from the rest of Georgia as the Observatory tells us but you Lela correct me if I’m wrong.
When she was still a young girl, the family moved to St. Petersburg where Meri became the empress’s maid of honor.
In 1918 the wedding with Gigusha Eristavi, here there is a small family tree.
At the sunset of Georgian independence, and shortly before the arrival of the Bolsheviks, Meri embarks directly to Paris, stopping in Constantinople in Turkey where she participates in a beauty contest, winning it.
Arrived in the Ville Lumière, Meri settled in Rue de la Tour, sixteenth arrondissement, near Bois de Boulogne and it seems it was the aforementioned Grand Duke Dmitri Pavlovich who introduced her to Coco.
Paris in those years frames a particular type of beauty, so much so that the writer Alexander Vasilyev wrote a book: “Beauty in Exile” or artists, models and nobility who fled the Russian revolution and influenced the world of fashion.
Meri’s style and elegance do not go unnoticed: Saveli Sorin paints her portrait which is located in the palace of the Prince of Monaco.
Meri is also photographed by Man Ray but emblematic is the meeting with Galaktion Tabidze in 1935 because it is believed that her compositions in Georgian are dedicated to her although some publications are earlier .
Here you can listen to the poem in the original language, personally it strikes me to hear the name “Meri” which by now in the light of this path to find its traces, for me it has assumed the typical aura of women who have been able to leave a mark.
And because elegance comes from within, Meri Shervashidze spent the last years of her life in a nursing home preserving beauty, nobility and majesty until the last day of her life, at the age of 97. She is buried with her husband in the Saint Genevieve des Bois cemetery.
I remember the period in which I listened to Destini incrociati – Fates crossed and I find the story of Meri could be told in this way, even if I later found that Giacomo Zito and his collaborators have paired Coco Chanel with Luchino Visconti
we can always make a new episode, or not?
And asking ourselves what “we can do”… I would say that we rather cannot talk about elegance and strings of pearls without mentioning her. Herethe post with the iconic Breakfast at Tiffany’s scene.
And you, do you have other strings of pearls to chase?
itsIn recent days I have crossed various thoughts, starting from Gabriella‘s post on the Water of San Giovanni but also on the rite of fire to become comari, not in the sense that I had so far given to this word.
Therefore, water and fire. Water and fire that according to Cicero “are not of more universal use than friendship.” Water and fire, two of the four elements of life.
The water and the fire that the druids define Litha that is thelight of the shore because the fire, or rather the sun, which has reached the zenith and has reached its maximum point, plunges into the waters, on the beach, at the meeting point between land and sea.
Of the summer solstice, which Alidada explained masterfully in her Uno spicchio di cielo, I fell in love many years ago reading Sarum by Edward Rutherfurd who, starting from the ice age, sees the birth of Stonehenge which in my imagination goes far beyond the status of “ringing rocks” for example, and is covered in mystery with that aftertaste of legend that I love.
But returning to Litha, I would like to resume a little the concept of Samhain: moment in which the veil between the two worlds is thinner, but moving the contrast between “above and below” just like a celebration of the opposite, which of course I love. It is no coincidence that Litha is also defined as a day out of time.
In this reversal, it is as if the elements of fire and water overturn their roles in a magical union. A suggestive image representing this magic is realized in the floating candles.
Fire, water. Bonfire and dew. Waves and fires.
This is how Shakespeare in his A Midsummer Night’s Dream describes the reply of a fairy: Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire. I do wander everywhere Swifter than the moon’s sphere. And I serve the fairy queen To dew her orbs upon the green.
Fire, water. Sun and moon.
And then I remembered the advice QueenFaee Studio gave me in the comments here where sun and moon draw inspiration from the Visconti Sforza tarot cards, just to point out the curious coincidences, and my connection with the land …
This short film by Garrone for Dior enchants like the magical floating of the stars under the marvelous vault of the Tuscan castle of Sammezzano which, exactly as if inverted upside down, leads them to float in the water of the fountain.
Maria Grazia Chiuri wanted to give a reinterpretation of the tarot cards by transporting them into a fairy-tale but also an artistic dimension, in which the precious embroideries and the refined textures of the fabrics give life to works of art: living paintings, which not only allow themselves to be observed, but drag on a journey in search of answers.
The first dress, among other things, struck me: leaves on lace, a sort of mixture of fashion and nature that not by chance I immediately found magical, and that made me think in particular of the tree in the photo under the title, with its dress of ivy, because Nature dresses wonderfully.
At this point you will tell me “but what does all this have to do with it”
In reality, by crossing traditions, legends and fairytale atmospheres, I would like to interpret this summer as a series of cards that can offer a reading key that allows the re-appropriation of the magic of feeling aligned with the sun, ready to welcome the light.
And you? What do you see or predict in your cards? Water, fire, or what else?
PS: in the comments the Keep Calm version of Le Fou … or an upside-down creature who wants to be a comare, who is not silent like a cicada, who accumulates like an ant and who knows how to be heavy as a stone, but also loooong more “suspended” than Stonehenge
Vivienne Westwood was born on April 8, 1941 in Derbyshire, a land that I immediately associate with Austenian atmospheres, but I have always attributed a Scottish soul to her, and I certainly do not feel I can attribute her 80 years in the personal sense.
The experience, on the other hand, is immeasurable, and in this regard I would be rather inclined to remember a different anniversary: in 1971, 50 years ago, in Chelsea – 430 King’s road a boutique was born destined to become history and become part of the places to visit: Let it rock.
It was punk at its deepest root, destined to evolve by continuing to be ahead of its time and to transform itself into the World’s End with the famous clock running backwards, obviously a “pearl” for me.
Another anniversary, this time to turn 40 is Pirates (1981): the first show, which went directly into history. In this video you can see the iconic Squiggle pattern inspired by the marine rope, subsequently reused in many variations on garments and accessories of all kinds.
In fact lately I’ve often talked about bags, so this time maybe it’s the case to take shoes more into consideration, or, better still, let’s stay on Pirate Boots, what do you think?
The symbolic fabric of the 90s, on the other hand, is Harris Tweed, idea born seeing a girl in the subway wearing a Harris Tweed jacket, in fact, and a bag containing ballet shoes.
From the 2000s I would like to mention in particular the costumes created for the ballet of the New Year’s concert in Wien. I remember that I was looking without knowing anything and that I immediately felt the need to go and find who had created that look that had so impressed me.
Vivienne strikes now and forever. This is her birthday message. This is her featuring Without You from My Fair Lady. These are the issues on which she invites us to reflect.
And she writes them with “footprints” … who knows me “already knows” that they have always been my signature … right Luciana?