
EXERCISES IN STYLE
I read Raymond Queneau’s Exercises in style in the version edited by Stefano Bartezzaghi, Super ET edition by Giulio Einaudi Editore with French text opposite and preface by Umberto Eco, thanks to my colleague.
The first edition dates back to 1947, Éditions Gallimard.
I quote Eco‘s words: an episode of everyday life of disconcerting banality and ninety-nine variations on the theme in which the story is retold by putting all the rhetorical figures to the test.
You surely are very familiar with figures of speech, whereas I, on the other hand, unfortunately have to admit that I learned them with my son while he was studying them.
We both attended a technical institute, off course the syllabuses have changed, but I believe it is also a matter of luck in having the right teachers.
Anyway, delving into language is something that always fascinated me, I was amused to discover how Queneau managed to narrate the same scene in ninety-nine different ways.
Actually the versions would be more, in the course of revisions Queneau added, but also removed, because for him the number had to remain the same: ninety-nine.
Exercises in style but not only that: Bartezzaghi illustrates the number game because everything is a logical balance:
Raymond = 7 letters
Queneau = 7 letters
the second name is also 7 letters = Alfonse
7×7 + 1 7×7
that one in the middle, the same one that is missing to reach a hundred, what do you think it represents?
Exercises in style, but not only that: the inspiration comes from music and more precisely from Johann Sebastian Bach’s Goldberg Variations, or thirty variations for harpsichord.
Matatavitatau, La regina gioiosa: feel free to add details if you wish.
Exercises in style but not only that: even fantasy, Eco himself defining the Lipogram as the most typical example of “perfectionism” admits the temptation to try to produce twenty-one versions of it, as well as proposing further exercises.
Speaking of lipograms, Luisa is a master, click on the Words and Music and Stories link.
And you? Are you a perfectionist?
Have I whetted your appetite for style exercises?
Do you remember the nose monologue in Edmond Rostand’s Cyrano de Bergerac?
Which subject/object would you choose instead?
OPINIONI