KEEP CALM AND POTA

KEEP CALM AND POTA

Keep calm and pota!

Don’t say you’re not already smiling thinking to Keep calm and pota.

I immediately lit up, also because Keep calm and pota is curated by Piöcc’s Café.

Café! A coincidence, or rather, I would directly say a sign.

A sign that I immediately grasped when I contacted the Teatro Centro Lucia in Botticino Sera.

Yes, you read that right: theatre.

Elena kindly explained that their artistic direction in recent seasons has been proposing a review of dialectal comedies from the Brescia area entitled ‘Èl bel del dialet a teàter’.

As I have already mentioned, I am very fond of dialect

Keep calm and pota is therefore a dialect comedy, and Cafè di Piöcc a theatre company.

Elena also helped me contact the director: Manuela.

In two words: a revelation!

Quoting Queen Agatha:
A clue is a clue, two clues are a coincidence, but three clues make a proof.

Keep Calm, Coffee and Friendship

The founders of the Café di Piöcc are three friends who meet in the parvis of the cathedral church in Montichiari.

Money is tight and friends watch the gentlemen eat pastries and drink wine, but they can only afford water from the fountain: the Café di Piöcc then, that is, the poor man’s café.

At Cafè di Piöcc, stories, gossip and historical facts are told.

From these tales, one of the first theatre companies in Brescia was born in 1970, a troupe that was also the subject of a university thesis.

Manuela joined the company, gradually performing various tasks: props girl, prompter, actress with a small part, assistant director.

Until one evening in the rehearsal room she picked up a book from which an envelope came out with a letter that no one had ever seen.

Destiny, magic, what would you call it?

In this letter, Beppe Boschetti, one of the three founding friends, had expressed his wish to leave the company in Manuela’s hands.

A story made up of people, a long journey made up of extremely remarkable theatre works such as I tre innocenti (The Three Innocents), inspired by news events, or Semplicemente donna (Simply Woman): a red chair and 49 changes of clothes representing the stages of life up to menopause.

And yet settings and periods vary while the common denominator remains the titles that are idioms, e.g. Petost che peji l’è mei insi or Ogné come la sàpes stada.

All the way to Keep Calm and pota.

Pota is the word that unites Brescia and Bergamo, an intercalary that, pronounced with the typical accent, is always very nice.

The author had the intuition to combine pota with the expression keep calm, linking up with Freud’s truth, the female Ego interjecting itself with the Super Ego, and communicating a message: love wins.

Speaking of messages, the Cafè di Piöcc also collaborates with the municipality of Montichiari for social work with the Legality in short project. 

It can therefore be said that Cafè di Piöcc keeps calm but is unstoppable!

Many many compliments and a special thanks to Manuela Danieli.

THERE IS STILL TOMORROW.

THERE IS STILL TOMORROW.

There is still tomorrow which sees the directorial debut of Paola Cortellesi is the film that won the Audience Award, Special Jury Prize and Mention as Best First Work at the Rome Film Festival

Paola Cortellesi doesn’t need to be introduced, I always remember one of her gags in which she ironically listed all the things she has done, which are really so many and very different from each other, but which have the same feature in common: they are all done well.

I thank Elisa and her proposal: we went to the movies together fearing that we would have to use tissues to wipe tears and instead we mostly surprised ourselves.

The Friends.
In the movie: Delia and Marisa.

Emotion, however, was not lacking.

I, for one, was moved by the portrayal of a mother’s love for her daughter, who is played by Romana Maggiora Vergano in the film.

A love above all things, a love for which nothing is impossible, a pure and unwavering love.

Fragility and strength in a maelstrom of endurance and determination in which the ability to carry the crushing weight of a long interminable series of verbal and physical injustices and bullying, is catalyzed in the resolute will to seek a better destiny for Marcella.

Mother and daughter.

A crushed mother and a model daughter who does not understand Delia’s submission.

Succumbing and resisting at the same time, in a dance that is broken melody, is rock, is hip hop rap, is retro.

Marcella does not understand, but she will.

Marcella will look at her mother Delia and see the affirmation of a seemingly simple but extremely important gesture as a right, as a beginning.

Every change has a beginning.

There is still tomorrow represents “the music that changes” in a literal sense: I cannot fail to mention the repertoire songs from the soundtrack:
Aprite le finestre Fiorella Bini
Nessuno Naked Music
Perdoniamoci Achille Togliani
A bocca chiusa Daniele Silvestri
M’innamoro davvero Fabio Concato
La notte dei miracoli Lucio Dalla
Calvin The Jon Spencer Blues Explosion
B.O.B. – Bombs Over Baghdad Outkast
The little things Big Gigantic featuring Angela McCluskey
Swinging on the right side Lorenzo Maffia and Alessandro La Corte
Tu sei il mio grande amor Lorenzo Maffia, Alessandro La Corte and Enrico Rispoli.

Surprising, isn’t it?

Surprising as what you don’t expect from There is still tomorrow: the ending.

Indeed, in my heart I hoped that Delia’s project would not be the obvious one, but at the same time I would not have guessed an epilogue like the one with which Paola Cortellesi invites everyone to a beautiful reflection.

Light yet explosive, simple yet disruptive, just like Delia, just like Paola.

Yes because Delia is Paola, she is Marcella, and she is our grandmother.

Delia is so many lives of giving up, Delia is so many years of suffering.

Like nothing at all.

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