FRESH WATER FOR FLOWERS Valérie Perrin

FRESH WATER FOR FLOWERS Valérie Perrin

Fresh water for flowers, almost a reminder.

Which has turned into a word of mouth extended to the point of conquering the ranking with advice from reader to reader. In fact, I read it thanks to Monica.

Only later I found the list of awards won: Prix Maison de la presse, the Prix Jules-Renard and the Prix des lecteurs du Livre de poche.

I opened it in the dark, not knowing what flowers to take care of, and I found that the cure was for myself.

The immediacy with which I thought how congenial could be the work that the narrator does, was as simple as when we finally realize something that had always been before our eyes but that until now we had never really looked at.

Wearing such a fitting idea of serenity, however, cannot be a foregone conclusion, as much as it is not certain that the starting point is comparable to lightness.

On the other hand, flowers are symbols of delicacy par excellence.
Flowers are beauty, but also fragility.
Flowers need light.
Flowers need heat.

I loved the backbone of this story, and perhaps for this reason, coming to the ramifications I felt a strong sense of annoyance. But that has done nothing but make it even more of a perfect metaphor.

If we think about it, changing the water is an action of renewal that aims, however, to perpetuate the same goal, and in fact in this book the changes have the characteristic of bringing back to the origin as in the most classic of closed circles, such as the seasons , which complete their cycle.

But flowers can also be born between concrete.

WAR OF THE WORLDS

WAR OF THE WORLDS

What time is the end of the world?
No, let’s start from the beginning: The War of the Worlds is a novel written by H. G. Wells, one of the forerunners of the science fiction genre, originally published in installments in 1897 on the Pearson’s Magazine in London.
First curious anecdote: HG Wells took in part inspiration from Giovanni Schiaparelli’s theories about Mars (and if you always read me remember our save the date 🙂 )
The astronomer and director of the Brera Astronomical Observatory in Milan observed some lines on the surface of the red planet, and hypothesized that they could be natural channels for the transport of water as they changed from one observation to another.
At this point there is another beautiful smile because what is one of the painful keys for all of us Italians? Knowledge of English!
Why do I say this? Because its natural channels were translated with the wrong term that distorted the theory by transforming them into artificial canals. Hence the assumption that they had been excavated by … Martians, precisely.
These famous “Martians” who populated the fantasies of many, embodying the most varied forms and descriptions, before being replaced by the most universal aliens.
These famous “Martians” who inspired Wells first and then Welles, Orson Welles.
Curious also this coincidence, one e above all and a patented invention separates them, another curious fact, always in 1897, always in London, and always by an Italian: Guglielmo Marconi.
Why do I switch to radio? Because in the meantime we arrive in 1938, and the radio is still the fledgling mass media and, exactly as it works today for the internet, it is seen as a form of potentially dangerous communication. It is seen as a vehicle of social mutation, for the rapid diffusion to the easy reach of a large number of people, and above all harmful to the publishing giants, worried about losing their income.
And precisely at CBS Orson Welles conducts The Mercury Theater on the Air: a program consisting of the narration of the great classics of literature, for the truth poorly paid and not much followed.
But Orson, at that time a Shakespearean actor, expresses his genius by using the program also to deal a blow to the system, deciding to cut the news in real time, and in view of the imminent Halloween, structures the Martian invasion described in the book like a real-time radio commentary.
It is in fact on October 30, 1938 when the reading of the opening words of The War of the Worlds is on air, interspersed with musical broadcasts, as usual, until an announcement interrupts the music and transposes the text setting it in the United States. With the help of screenwriter Howard Koch, completed with mock interviews with experts, imitations of press releases from the authorities, and sound effects to which Orson Welles pays special attention.
At the beginning and during the transmission it is clearly stated that it is the transposition of the novel, but many tune in at different times and the illusion effect created artfully succeeds perfectly.
It is said that a man called the New York Times to ask “what time is the end of the world?” to which the famous song written by Michael stipe of R.E.M. is inspired.
There is a chorus that supports the exaggeration of the estimates that count people running in the street, panic scenes, or hysteria, and I honestly don’t intend to dwell on the numbers, since, especially in this period, we everyday hear tragic counts.
In fact, in Grover’s Mills, New Jersey, there is a commemorative plaque with the following inscription:
On the evening of October 30, 1938 Orson Welles and The Mercury Theatre presented a dramatization of H.G. Wells The war of the worlds as adapted by Howard Koch. This was to become a landmark in broadcast history, provoking continuing thought about media responsibility, social psychology and civil defense. For a brief time as many as one million people throughout the country believed that Martians had invaded the earth, beginning with Grover’s Mill, New Jersey.
The important thing that Orson Welles has more or less voluntarily shown us is that people are led to believe rather unconditionally what is communicated to them by the mainstream mass media.
How many times have we heard “TV said it?”
How many care to check the news?
This time I went beyond coffee time, but today we can also indulge in chocolate, what do you say?
Now I conclude with the last strange coincidence: in The War of the Worlds the Martians are defeated by a virus.

SMART WORKING

SMART WORKING

In Italy smart working is regulated by a law backdated in 2017 as a way of executing the subordinate employment relationship characterized by the absence of time or space constraints and an organization by stages, cycles and objectives, established by agreement between employee and employer work; a modality that helps the worker to reconcile life and work times and, at the same time, encourage the growth of his productivity.
Workers are guaranteed equal treatment with their colleagues who perform the service in ordinary ways. Their protection is therefore envisaged in the event of accidents and occupational diseases, according to the procedures. And there is an equal pay.
In short, this is the theory.
But the practice? Corresponds?
I would like to know some direct opinions.
And as a topic of discussion I would put the question from the point of view of those who, in addition to work, also take care of children and housework, since I have the vision of a greater number of pins to keep in balance. Which goes back to the topic of organization.
More generally, without excluding other experiences and considering any type of work, how do you set yourself for the daily roadmap?
Does the day start with a good coffee?

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