REBEL REBEL

REBEL REBEL

Rebel Rebel is the picture disc I received as a gift from Elisa Mirko and Diego.

Elisa had already given me the Oh bej oh bej pictures as a gift.

Mirko had already given me the logo as a gift.

They both love David Bowie, as I do and as a large large percentage of humanity does, I think.

These days mark two dates, of which I like to remember more the first: his birthday.

David Bowie made history, and I won’t add “of music” because The White Duke is forever art, genius, style and communication that never stopped obliterating barriers.

Some have referred to Rebel Rebel as the anthem of glam, but I believe its unmistakable riff has the power to immediately captivate anyone who listen to it.

The Riff

Dsus2 E

e|———–0——–(0)——————|

B|——(3)—–3–2—0-0—–2–0——–|

G|——(2)————1-1———–1—–|

D|——-0————(2)—2———–2–|

A|—————————————–|

E|–(3)————————————|

Polly also agrees.

Instead, this is the version at Live Aid at Wembley Stadium, London, on July 13, 1985.

Yes, I know, I always take you back to the 1980s, Rebel Rebel however is part of the 1974 album Diamond Dogs and at that time I was still unaware of it.

The image on the picture disc is part of the cover of Diamond Dogs signed by Guy Peellaert on the MoMA website the full version censored by RCA.

The album is steeped in references to George Orwell’s 1984.

Paradoxically, if you will, to look through the lens, I point you to this exhibition at the State Archives in Turin

America Dreams Rights show David Bowie on the U.S. tour promoting Diamond Dogs through Steve Shapiro’s shots.

It is very sad to think that almost fifty years have passed and yet we have not made much progress in terms of rights, or even in terms of dreams.

May be we are not Rebels enough, aren’t we?

ONE WAY OR ANOTHER

ONE WAY OR ANOTHER

I start with Debbie Harry, simply because I particularly like this photo and I hope it can be an inspiration for you too.
I would skip the details of his life more strictly personal and I would speak directly of the mythical times of the CBGB after the meeting with Chris Stein and the creation of Blondie who have characterized the scene since 1974 for a long period full of successes.
Without a doubt, I mention Call Me for the collaboration with Giorgio Moroder, which has become an iconic soundtrack and more generally a piece that evokes an emotional flashback at every listening: new wave, disco music, dance rock.
Debbie stayed with Chris for fifteen years during which they also fought a serious illness together.
A wonderful Heart of glass, but at the same time a strong heart, this is the first thought I have of all about her.
A woman who at fifty-three continues marking history with a first place in the chart that enters Guinness.
A woman who knows how to cross past present and future without distinction, like her portrait made by Andy Wharol with the Amiga 1000 computer.
A woman also celebrated in the Rock and Roll Hall of Fame, who has been able to become a symbol with her ruffled hair and an uncalculated look but framed by her determination.
And his One way or another, deliberately covered with joy as a “survival mechanism”, resounds sadly current, making us reflect once again on the fact that over time, we persist in not treasuring experiences and that we cannot learn from mistakes, getting worse.
Anyway, let’s start from her smile and her intent to restore lightness and take an example, one way or another …

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