THE EIGHT MOUNTAINS

THE EIGHT MOUNTAINS

The Eight Mountains is both a literary and cinematic success.

Again I owe the reading to Monica and I hope that the movie will not disappoint me as it often happens when I watch movies based on books.

I heard a lot about The Eight Mountains with reference to male friendship or more precisely manly friendship.

Of course The Eight Mountains tells about mountains, as well as it tells about a Friendship of the kind we should all be privileged to experience in life.

However, the prevailing reflection that I retain after reading this book is another.

Beyond the powerful and unrelenting beauty of the mountain, I was impressed by its role within the story in the father-son relationship.

The mountain is typically silence; instead, I read it in this book as the only dialogue to patch up a deep generational and emotional incommunicability.

Sometimes we love totally, we love with a love written even in our DNA, yet we do not know how to show it.

This kind of love is blatantly obvious to those who can observe it as uninvolved spectators and yet it is hidden from the eyes of those with too close a perspective that paradoxically creates a distance.

Am I wrong?
Perhaps this view is entirely personal.

Have you read the book?
Written by Paolo Cognetti and published by Einaudi in 2016.
Strega Prize 2017.

Or have you seen the movie?
Directed by Charlotte Vandermeersch and Felix Van groeningen in 2021.
Jury prize at the Cannes Film Festival 2022. 
David di Donatello for best film 2023. 

An old Nepalese man told me about the eight mountains …

The man picked up a stick with which he drew a circle in the ground. It came out perfect; you could tell he was used to drawing them. Then, within the circle, he drew a diameter, and then a second perpendicular to the first, and then a third and fourth along the bisectors, resulting in a wheel with eight spokes. I thought that, having to arrive at that figure, I would start from a cross, but it was typical for an Asian to start from the circle

– Have you ever seen a drawing like that? – he asked me.

– Yes, – I answered. – In the mandala.

– Right, – he said. – We say that at the center of the world is a very high mountain, Sumeru. Around Sumeru there are eight mountains and eight seas. This is the world for us.

In saying this he drew, out of the wheel, a small point for each ray, and then a small wave between each point. Eight mountains and eight seas. Finally he made a crown around the center of the wheel, which could be, I thought, the snowy summit of Sumeru. He pointed the stick at the center and concluded, -And let’s say: will the person who went around the eight mountains have learned more, or the person who made it to the top of Mount Sumeru?

In your opinion?

I WAS BORN ON THE DAY OF THE PIAZZA FONTANA MASSACRE

I WAS BORN ON THE DAY OF THE PIAZZA FONTANA MASSACRE

I was born on the day of the Piazza Fontana massacre, and I defy even those who are not superstitious not to see ominous signs in it.

I was born at home, on the kitchen table, like a fresh loaf of bread in the early morning

When my mother shaked my father telling “it’s time,” he just turned on the other side and went on sleeping.

How could I blame him? I was coming to dawn as importunate as an alarm clock.

I was born in Cilavegna and I am one of the last people to be able to say this: as of January 1970 it was no longer possible to use a midwife, and it became mandatory to give birth in a hospital. Since there were no hospitals in Cilavegna, from that date on, new babies saw the light elsewhere.

I was born in Lomellina, land of fog and mosquitoes, but my father is of Venetian descent and my great-grandmother on my mother’s side was German. I am basically a mixture.

I was born into a simple family, Ihad simple things and a happy childhood.

My maternal grandmother, who looked after me from the time my mother resumed her job as a clerk, had swollen knees from all her mondina days, and, unable to move nimbly, entertained me by telling stories.

The result was that, before I began to walk, I spoke perfectly without the classic infantile mispronunciations, and I knew nursery rhymes, prayers and numbers.

Words were my first games, my first friends, my first nourishment.

Nevertheless, the kindergarten debut was quite traumatic: my shyness was relentless.

I had not yet understood the pleasure of chatting and socializing, a concept I largely recovered after the middle ages of adolescence.

But let us proceed step by step: for the nuns who conducted the kindergarten, my interaction defect was not a noteworthy aspect, quite the contrary. Rather, the problem was created by my inability to fall asleep after lunch.

Standing still in my cot, I would silently weave the bangs of the rough plaid under which I was supposed to fall asleep instead.

I did not feel that I was creating a disturbance, but that was one of my first errors of judgment: I still have clear memories of the reprimand from Sister Antonia, who among the sisters was the better and quieter one.

Thereafter rather than the bangs I took to interweaving my attempts at intentionality with my grandfather’s big heart. He would work night shifts and in the morning, exhausted, instead of going to rest. he would accommodate my requests, effectively endorsing the intent to skip kindergarten.

A tumor took him away when I was only five years old leaving me a huge void and an unfulfilled desire in return.

He used to tell me “as soon as I retire I will teach you German.”

During the war he was used as an interpreter after a German officer, striking him, heard him reply in his own language.

I thought I would learn easily, that I would listen happily as with Grandma’s stories, but instead he could tell me no more.

When elementary school time came, there was no school on Thursdays, but by then I didn’t care much.

Some people still called us remiges: lined up in rows of two, hand in hand, with our overcoats over our black aprons from which sprouted the big blue bow knotted under the white collar.

It began on the first of October when the desks were still desks, and the folders contained a checkbook and a ruled notebook, small ones, with the blotting paper for the ink of fountain pens: witnesses to a writing that no longer exists.

… TO BE CONTINUED.

Pic by Massimo

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