I GIORNI DI VETRO (THE DAYS OF GLASS)
I giorni di vetro, written by Nicoletta Verna for Einaudi, was a sharp book for me, if you’ll pardon the pun.
I found this reading disturbing at times.
Nevertheless, I am grateful to Monica because, on my own initiative, I would probably have made excuses and diverted my interest elsewhere.
The novel begins with the murder of Matteotti and traces the subsequent unfolding of events until Liberation.
Castrocaro is at the center of everything, indeed “the epicenter.”
At the end of the book, the author informs us that the characters and events are fictional, but History, the one we all know, remains looming.
And even if the lives narrated in I giorni di vetro have no real counterpart, I couldn’t help but read with the awareness of how many terrible things happened to so many people.
This thought meant that for most of the book I was afraid to find out what would happen on the next page.
Unfortunately, I am unable to free myself from the anguish caused by cruelty.
At the same time, however, I felt the need to continue reading, hoping that my fears were wrong.
Nicoletta Verna’s book does not leave you indifferent; it is a divisive read, even with regard to the conflicting opinions among readers.
When you think of the title: I giorni di vetro (The Days of Glass), what do you imagine?
Have you ever suffered while reading?
But even more frightening is witnessing the ease with which war becomes part of every state’s plans: the arms race, increasingly heated rhetoric.
Everything that has been is forgotten, trampled on, wiped out.
As if suffering, broken lives, and horror were evanescent, a bubble to be blown away.
“The greatest trick the devil ever pulled was convincing the world he didn’t exist. And like that… he’s gone”.
Verbal Kint (Kevin Spacey)


Hi I'm Claudia and this is KCDC.




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