This time I continue the previous post and I really hope you haven’t missed such an amazing show. 

I had already seen Tosca last year, and in general I find that the opportunity to follow these events really has a relevant value.

This year the rehearsals of the planned Lucia di Lammermore had been interrupted as our lives continue to be interrupted in this period that we hope will end very soon, but the union of the work of various and prestigious excellences has meant that as in a magical blend what was created for me was a perfect alchemy. 

I think about the Elective Affinities, I don’t know if you pass me this comparison that comes from my enthusiasm for the crescendo of citations that has composed a series of artistic sequences to leave you breathless.

For example, I found a moment that I would define perfect with Bizet’s Carmen when the music that I simply adore was combined with images to create a pictorial and suggestive effect with the added value of King Giorgio‘s dress. 

Another very strong surprise: Davide Boosta Di Leo, who oversaw the part with the performance of Roberto Bolle.
I very much appreciate the contaminations in this sense.

And, as it turns out  I have a particular weakness for quotes, characteristics for which while I was watching I felt like a child who finds many packages under the Christmas tree.

Ballet

Cinema

Art

Fashion

Symbolic frames and literature

Listing everything would be an understatement and I would end up forgetting something anyway, so I rather ask what struck you most.