I immediately ask forgiveness for the heresy: “Itis Plato” obviously came to mind with reference to Paolini
I could listen to Marco Paolini for hours without ever getting tired, I discovered his ability to catalyze and maintain attention since Vajont, which has really remained as on the living skin.
Itis Galileo was also staged at the Cagnoni Theater in Vigevano in 2013.
At the beginning of the monologue Paolini asks who among the audience has attended classical high school rather than scientific high school and at the end he says that he will explain Galileo at the Technical Institute level because those who have studied at Itis: Technical Institute do not know philosophy.
Here I am.
It must also be said that I have to thank Francy, Franca and Francesco, as well as for the books on mathematics, also for a Novel about the history of philosophy: Sophie’s world, which has also become famous as a sort of “manual” if we can say so.
My husband Massimo then, taken by the Allegory of the cave, gave me Plato’s Republic which I read in my own way, trying to understand how I could.
This is why it occurred to me that perhaps I should also ask Marco Paolini for an Itis Plato, a triangle, as he ironically defines it.
And you? Are you Platonic?
Speaking of the cave, I’d like to create a rubric: imagine darkness and only a flashlight behind you.
What would you say to people to bring them out into the light?
The days go by and we are already at box number 7 of the Advent Calendar, The world of Shioren announced that the creations would include a bit of everything… we started with a drawing, then we had tales and a video.
So far, in some cases more, in some cases less, I had first met the authors of the various blogs participating in this initiative, but in the case of Tuttolandia I am faced with a surprise in the round.
Reading what Paola writes about herself, I discover many aspects that unite us, and I smile at the thought of how fate sometimes makes us cross people in the strangest ways.
As I wrote in the comments to Paola, reading the poem she wrote immediately transported me to the kind of Christmas atmosphere that I particularly love.
Light. I feel the need for that light so much, and I think it should be a little bit like this for everyone.
You will tell me after reading The Tree and the Star:
itsIn recent days I have crossed various thoughts, starting from Gabriella‘s post on the Water of San Giovanni but also on the rite of fire to become comari, not in the sense that I had so far given to this word.
Therefore, water and fire. Water and fire that according to Cicero “are not of more universal use than friendship.” Water and fire, two of the four elements of life.
The water and the fire that the druids define Litha that is thelight of the shore because the fire, or rather the sun, which has reached the zenith and has reached its maximum point, plunges into the waters, on the beach, at the meeting point between land and sea.
Of the summer solstice, which Alidada explained masterfully in her Uno spicchio di cielo, I fell in love many years ago reading Sarum by Edward Rutherfurd who, starting from the ice age, sees the birth of Stonehenge which in my imagination goes far beyond the status of “ringing rocks” for example, and is covered in mystery with that aftertaste of legend that I love.
But returning to Litha, I would like to resume a little the concept of Samhain: moment in which the veil between the two worlds is thinner, but moving the contrast between “above and below” just like a celebration of the opposite, which of course I love. It is no coincidence that Litha is also defined as a day out of time.
In this reversal, it is as if the elements of fire and water overturn their roles in a magical union. A suggestive image representing this magic is realized in the floating candles.
Fire, water. Bonfire and dew. Waves and fires.
This is how Shakespeare in his A Midsummer Night’s Dream describes the reply of a fairy: Over hill, over dale, Thorough bush, thorough brier, Over park, over pale, Thorough flood, thorough fire. I do wander everywhere Swifter than the moon’s sphere. And I serve the fairy queen To dew her orbs upon the green.
Fire, water. Sun and moon.
And then I remembered the advice QueenFaee Studio gave me in the comments here where sun and moon draw inspiration from the Visconti Sforza tarot cards, just to point out the curious coincidences, and my connection with the land …
This short film by Garrone for Dior enchants like the magical floating of the stars under the marvelous vault of the Tuscan castle of Sammezzano which, exactly as if inverted upside down, leads them to float in the water of the fountain.
Maria Grazia Chiuri wanted to give a reinterpretation of the tarot cards by transporting them into a fairy-tale but also an artistic dimension, in which the precious embroideries and the refined textures of the fabrics give life to works of art: living paintings, which not only allow themselves to be observed, but drag on a journey in search of answers.
The first dress, among other things, struck me: leaves on lace, a sort of mixture of fashion and nature that not by chance I immediately found magical, and that made me think in particular of the tree in the photo under the title, with its dress of ivy, because Nature dresses wonderfully.
At this point you will tell me “but what does all this have to do with it”
In reality, by crossing traditions, legends and fairytale atmospheres, I would like to interpret this summer as a series of cards that can offer a reading key that allows the re-appropriation of the magic of feeling aligned with the sun, ready to welcome the light.
And you? What do you see or predict in your cards? Water, fire, or what else?
PS: in the comments the Keep Calm version of Le Fou … or an upside-down creature who wants to be a comare, who is not silent like a cicada, who accumulates like an ant and who knows how to be heavy as a stone, but also loooong more “suspended” than Stonehenge