DARK MATTER

DARK MATTER

Dark matter … first of all can we say that we are immediately attracted by these words?

Not to mention that the first thing I read in it was the prosecution of that sort of thread left hanging after 72 seasons, or Memento mori … 

So even Pearl Jam tells us the obscure in some way … this we should mainly ask Luciana: the biggest Pearl Jam fan I know.

Lucy you will correct me if I’m wrong, right?

The first rumour I heard about Dark Matter concerns the illustrious name in the credits: Sean Penn.

His contribution would consist of the sound of a pool cue hitting the ball, recorded by Eddie Vedder on his mobile phone.

Cool.

Not to mention the fact that the thought of Eddie and Sean automatically leads to Into the wild

Wild was also the start of the recording, which started at Andrew Watt‘s house and then relocated due to rain flooding.

I would call Andrew a natural born fan if I tried to imagine his repertoire of Pearl Jam t-shirts: a different one for each day of recording.

So at this point I ask: do you also keep one or more t-shirts from the concerts you have experienced? Can you tell me what they are?

Meanwhile, I list the titles of the eleven tracks of Dark Matter:
Scared of Fear
React, Respond
Wreckage
Dark Matter
Won’t Tell
Upper Hand
Waiting for Stevie
Running
Something Special
Got to Give
Setting Sun

and I won’t hide that before I found out which Stevie they were referring to, I hoped it was Nicks … instead it’s Wonder.

But there’s another reference, which I want to consider in a particular way: in the song Scared of Fear

We used to laugh, we used to sing
We used to dance, we used to believe

do you think we could get back: Seattle, 90s?

Although in reality each of us has our own memory that fits these words, would you like to tell yours?

I leave you with the conclusion of Dark Matter: words we should all remember, as well as sing

These days it’s strange
When everyone else is paying
For someone else’s mistakes
This guilt takes shape
until everyone pays
for someone else’s mistakes

ABANDONED DISCOS

ABANDONED DISCOS

Abandoned Discos is Max Pezzali’s new song for Warner Music. 

The title makes no secret of the subject, but what struck me was the video: a sequence of images depicting the crumbling remains of what were once places full of life and joyful moments, now inexorably abandoned.

The suggestion is made even more incisive by the succession of phrases by the Gotha of disc jockeys, see for yourself:

Have you ever been to one of these discos?

I used to like Friday nights at Celebrity: a discotheque near Novara that actually still exists, where my friend Daniela and I would literally spend the whole time dancing, and at the same time managing to chat 🙂

But it was at Vanità where I went to meet the man who later became my husband <3

The Vanità, the disco in Vigevano portrayed in the picture below the title, no longer exists: a mansion complex was built in its place.

This is also why I find that Max Pezzali succeeds in narrating by giving us the sensation of listening to words coming straight out of our own mouths.

It is definitely his trademark, as well as the secret of his success: simply being one of us.

I’ll never forget a summer evening before social media, before even mobile phones: the TV broadcasts the Castrocaro new voices competition and a Jovanotti introduced a duo.

They come in and sing Don’t bother me, I don’t understand what you want, you knew I wasn’t like you...

For me it was immediate and natural to stay in tune.

Soon the songs from the album Hanno ucciso l’uomo ragno (They Killed Spider-Man ) would be the soundtrack of holidays in Sardinia, Daniela was there too 🙂

1993: the following summer. Life has one of those difficult trials in store for my family: having to face destiny that bursts in to make it clear how from one moment to the next everything can collapse.

While I am in hospital watching my father struggle to live again after a haemorrhage, I receive a gift: the North South West East music tape.

Yes: the ‘cassette’ … Who remembers it?

The guy I went to look for at Vanità 🙂 gave me North South West East and North South West East gave us our song to sing embracing each other at the concert in the Pavia arena.

The days of the San Siro stadium were still far away, and the 883 sang at their home: Pavia, exactly, which is also a province in the broadest sense.

Their home, our home.

The days when the dream of the 883 would come true were also far away.

The characters of the Harley Davidson Pavia  staff are known to all those who followed the series Le strade di Max (Max roads), do you know it?

In case you missed it, you can have a good ride here

To get ‘on route’ let’s go back to 1994: when Mauro’s dream takes a different path …

On stage with Max are Paola and Chiara but also Michele Monestiroli and Daniele Moretto.

Thirty years ago.

And then?

And then life goes by and today we find ourselves in abandoned discotheques.

What did we miss?

KEEP CALM AND POTA

KEEP CALM AND POTA

Keep calm and pota!

Don’t say you’re not already smiling thinking to Keep calm and pota.

I immediately lit up, also because Keep calm and pota is curated by Piöcc’s Café.

Café! A coincidence, or rather, I would directly say a sign.

A sign that I immediately grasped when I contacted the Teatro Centro Lucia in Botticino Sera.

Yes, you read that right: theatre.

Elena kindly explained that their artistic direction in recent seasons has been proposing a review of dialectal comedies from the Brescia area entitled ‘Èl bel del dialet a teàter’.

As I have already mentioned, I am very fond of dialect

Keep calm and pota is therefore a dialect comedy, and Cafè di Piöcc a theatre company.

Elena also helped me contact the director: Manuela.

In two words: a revelation!

Quoting Queen Agatha:
A clue is a clue, two clues are a coincidence, but three clues make a proof.

Keep Calm, Coffee and Friendship

The founders of the Café di Piöcc are three friends who meet in the parvis of the cathedral church in Montichiari.

Money is tight and friends watch the gentlemen eat pastries and drink wine, but they can only afford water from the fountain: the Café di Piöcc then, that is, the poor man’s café.

At Cafè di Piöcc, stories, gossip and historical facts are told.

From these tales, one of the first theatre companies in Brescia was born in 1970, a troupe that was also the subject of a university thesis.

Manuela joined the company, gradually performing various tasks: props girl, prompter, actress with a small part, assistant director.

Until one evening in the rehearsal room she picked up a book from which an envelope came out with a letter that no one had ever seen.

Destiny, magic, what would you call it?

In this letter, Beppe Boschetti, one of the three founding friends, had expressed his wish to leave the company in Manuela’s hands.

A story made up of people, a long journey made up of extremely remarkable theatre works such as I tre innocenti (The Three Innocents), inspired by news events, or Semplicemente donna (Simply Woman): a red chair and 49 changes of clothes representing the stages of life up to menopause.

And yet settings and periods vary while the common denominator remains the titles that are idioms, e.g. Petost che peji l’è mei insi or Ogné come la sàpes stada.

All the way to Keep Calm and pota.

Pota is the word that unites Brescia and Bergamo, an intercalary that, pronounced with the typical accent, is always very nice.

The author had the intuition to combine pota with the expression keep calm, linking up with Freud’s truth, the female Ego interjecting itself with the Super Ego, and communicating a message: love wins.

Speaking of messages, the Cafè di Piöcc also collaborates with the municipality of Montichiari for social work with the Legality in short project. 

It can therefore be said that Cafè di Piöcc keeps calm but is unstoppable!

Many many compliments and a special thanks to Manuela Danieli.

THE VERTICAL SUMMER

THE VERTICAL SUMMER

The vertical summer by Chiara Sfregola  published by Fandango is the book I received from Manuale di Mari whom I thank.

I don’t know if you already have an idea of what a ‘vertical’ summer might be like … I have wondered about it, and although I found the explanation in the book, I retain my own personal vision created by reading it.

Thinking about it now, vertical could also be the split between those who love summer and those who hate it.

How do you experience the summer season?

The protagonists of the book experience the emblematic events of their lives in summer: the timeline is in fact a relay of seven different female characters.

Very often we say ‘characters that revolve around’ in this case instead they move vertically, as in a descent inversely proportional to time passing, like a fall.

Like the summer that somehow represents the origin of all the events that strike in succession like a domino.

Dominoes whose tiles seem to fall even before they are hit.

Because they are imperfect tiles, unsatisfied with their role.

Everything seems too easy and it is exactly the ease with which things happen that makes them an unimportant outline, even successes, prestigious situations and luck seem totally irrelevant.

When nothing makes sense any more, the very construction of the book changes, like a restart whose initially stunted and unconvincing steps turn into a crescendo that corresponds to real growth.

The reader is taken to the epilogue with literally different writing, a form I particularly love.

And suddenly it all comes together.

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